Friends, the story I bring to you today is not a fallout, but a crescendo. How years of grassroots promotion and online influencer endorsements led to a once underground fashion brand's rise to power and entry into the hallowed halls of internet ridicule. Or, the time Supreme sold a brick for thirty dollars.
(this post contains a lot of context for what Supreme is and how it works, so if you only wanna know how and why they sold a brick, skip to the brick section)
What is Supreme?
Supreme is a skateboard and lifestyle brand founded by British-American fashion mogul James Jebbia. In an era where skate fashion was known for its eccentricity and garish presentation, Supreme stood out. It's iconic logo is made with stock typeface over a red box, which pushed the brand to the 2-billion dollar empire it is today. While the Box Logo (or the Bogo, as it's known among fans) has seen its share of ridicule (a lawsuit involving the logo could be its own entry) the brand's diehard fanbase, as well as myself, would argue the stripped-back, downright esoteric nature of Supremes' branding is exactly what pushed it to its heights.
But it's taken a long time getting here. Unless you lived in New York, you probably only heard of Supreme in the last couple of years. All in all, there are four stores in the continental United States, two on each coast. Two releases happen per year, spring/summer and fall/winter. Rather than release all merchandise at once, Supreme releases (Drops) happen one week at a time, slowly working through its seasonal inventory. This release model not only maintains interest in new releases all throughout it's season, it perpetuates interest in what will drop next, since not everything coming out is revealed at once, either. It's common to hear about cross-brand and artist collaborations mere days before they release.
All in all, everything Supreme does as a brand is on a need-to-know basis, meaning they've effectively mastered the art of FOMO. This means a diehard fanbase of skaters and fashion collectors. Half the reason a piece of Supreme clothing so cool to own is because only you and a couple hundred people (maybe a couple thousand, Supreme doesn't disclose inventory metrics either) have one. Naturally, a fandom would form.
How Supreme makes a fan.
On drop day, items generally cost what any other brand would charge, maybe a little more. Pieces are only available in store or online, both opening at 11am EST. What follows is a mad dash only Nike can claim to share. The online store operates on a first-come, first-serve basis, and the physical stores do the same, ala lining up for a game console. On a good day, you have maybe three minutes to cart your item and check out. The site does not save your cart so if you take too long, the piece you just added to your shopping cart might already be sold out by the time your payment is processed. If you've spent the past three months trying to buy a PS5, welcome to our world. We do this forty weeks a year.
You lose a lot (take an L). Seventy-percent of the things you want you will fail to get. But when you do finally check out and get your purchase at your door (take a W, a dub, recklessly spend money) the feeling is euphoric. You are now a part of a secret club because, guess what, that was the initiation process. Some people buy one item and never try again. They're few and far between. The majority of Supreme customers have been buying (copping) for years, amassing massive collections. Sooner or later, Supreme would release an item specifically for fans and nobody else. The problem is when they did.
Okay, that's cool, but why the **** did Supreme sell a thirty-dollar brick.
Good question. The best part is that there's several answers. Along with clothing and skateboard decks, Supreme sells a wide, constantly-circulating pools of accessories. These have been a mini bike, a Super Soaker, a pinball machine, a crowbar that at least one guy really wanted, and coming soon, apparently, a bob...sled? Supremes' accessory choice is as baffling as everything else they do. A common riff on the brand is that they could "put their logo on literally anything and it would sell out." These people are not wrong, but I'd argue their accessory choice is more nuanced than this. Their logo alone could sell all kinds of things, but its the things they do sell that begin to send a message. For example, a Supreme baseball bat is nothing profound, but next to a Supreme ski mask, a Supreme crowbar, a Supreme money gun, and a Supreme... brick, the street-smart, underground roots of the brand begin to take root. There's always been an underlying, illicit message to Supremes' aesthetics, coated in a minimalist exterior. This subtext what splits the speculators and the mega-fans.
Those mega-fans bring to life a second answer for why, in Fall 2016, supreme released a thirty-dollar clay brick with their logo etched in: one piece of Hypebeast lingo I've omitted until now is when an item Bricks. This is when any particular item either in-store or online sits in stock, with nobody buying it. No true-blue Supreme diehard would ever wear something anyone else could feasibly get for retail price or, god willing, below retail price. Bricks are poison to many an avid fan, which is why the brand might have thought it funny to sell to them an actual, literal brick. For thirty dollars. You get one brick. it sold out in seconds.
But where's the drama?
At the exact same time the brick was released to fans, two separate parties were growing aware of this once niche fashion label. Online influencers, and everyone else. Supreme was a mainstay among outsider artists, mainly underground New York hip-hop. The start of the 2010s saw the rise of Odd Future, whose alumni such as Earl Sweatshirt and Tyler, The Creator were outspoken fans of the brand. While endorsements like these got the word out somewhat, the boom began in late 2016. Online influencers, mainly YouTubers and Instagram stars whose follower counts ballooned as lifestyle vlogs took over online content, were growing quite interested in this exclusive and expensive brand so deeply tied to underground Hip-hop, skateboarding, and having something expensive that everyone else will be totally jealous of. Notably, YouTuber RiceGum, a man with a tendency to flaunt his spending, took an acute interest to the brand around this time, making videos between 2016-2018 where he went on massive Hypebeast spending sprees. Such content includes buying a Supreme hoodie that just dropped and wearing it while walking past people currently in line to buy their own, buying mystery boxes online that just happened to have Supreme in them every time, and giving bootleg Supreme merchandise to his friends. You'll have to forgive the lack of hyperlinks here. I do not have the stomach to watch his videos.
This behavior of course spawned similar in his contemporaries. This is why you started hearing the word Flex in regards to flaunting clothes and accessories around second-graders. Influencers from all spheres, who happened to all start taking off in late 2016, were wearing Supreme. this in turn led hundreds of thousands to trying their luck at the raffle. what followed was season upon season of the online stores crashing on drop day and lines outside the store snaking for miles taking an entire day to clear (this led to a new in-store ticketing system where you pre-register and are given a random slot in line, to mixed results).
Who was mad here? Speculators who couldn't get in on the clothes their favorite LA influencer-person wears, longtime fans who now had to grapple with this unmanageable influx of new customers, and the people who had no interest in these expensive hoodies and shirts or whatever who were free to clown on this stupid, stupid brand.
ThEy SolD a BrICk???
Once the unimpressed got wind of this stupid hype brand selling their customers a thirty-dollar brick, there was no going back. The image of a fashion titan so confident in their ability to sell their mindless followers a clay slab with no utility or value was irreversible for some. One Reddit user calculated the cost of building an entire house out of these bricks, others made memes, and while a lot of these were tongue-and-cheek jokes among fans, the derision online and in-person was inescapable. The image of a Supreme wearer being an in-the-know fashion trailblazer became one of a bandwagon-following consumerist idiot. After all, they bought a brick. Suckers, right?
So what's it like now?
Well, the site still sucks. Crashes are common, especially on days a bogo drops. Lines in-person are still a sweaty, multi-hour nightmare (though, morbidly, Covid restrictions made lines this season a little more manageable) and wearing Supreme isn't impressive to anyone anymore. Maybe a sign you'd spend two-hundred dollars on a hoodie, but nothing interesting to talk about. On my first day of college, my first roommate saw my Supreme tee and the first words he spoke to me were "did you buy the f\**ing brick?"*
Is the brick solely responsible for the attitude shift towards Supreme as a brand? Well, more of a framer for a larger shift in the zeitgeist. Is it a major symptom? Major might be a strong word. Is it funny? It's hilarious. Even the fandom of today laughs about the episode in hindsight. They may be crazy, they may thoughtlessly spend thousands of dollars a month on clothes, they may consider their own worth adjacent to the net worth of their closet, but they are the ones who bought a brick for thirty dollars. This sort of power is something to be commended. Ridiculed, scorned, and commended.

Sure, there are plenty of posts from people who applied to a job and got an offer 30 seconds later. Good for them. But if you're on this sub, you're probably running into more difficulty. I did. Job hunting these days is inherently pretty hard, but there are plenty of things I did wrong during my job hunt that could have saved me time and trouble. I'm a 35 year old in product marketing in the bay area, so this advice may or may not apply to you.
Most of this advice is not new, you may have seen it elsewhere. Well, HEED MY WORDS! You should take that advice.
Here are my don'ts of job hunting:
e: Here's the real #1 piece of advice because someone brought it up in the comments: Don't Not Have A Network. The main reason I had such a hard time was I moved to a new city where I didn't have a professional relationship with ANYONE. I think if you're applying without a friend on the inside, it reduces your odds by 80-90%, based on random factoids we've all seen that say 80% of jobs are never posted publicly.
I went to networking events and coffee meetups and blah blah blah, but COVID put a stop to that before I could make much progress. The biggest piece of advice (by far) is just to have a friend who can get you a job. But if you're reading this, you would have done that already if you could have.
Don't try to get by without doing the standard "best practice" stuff.
I spent a while thinking I could get away without making a customized resume for different jobs. I also thought I would probably have the right keywords naturally, and that I didn't have to worry about that either. WRONG. I wasted many weeks submitting poorly optimized resumes and getting few interviews.
What you should do is have at least one version of your resume customized for each job title you're applying to. That means if you're applying for Sr. Widget Fiddler and Director of Widget Fiddling, you need 2 versions.
Keyword optimize each resume version by copy-pasting 50+ job descriptions for that job's title into a tool like Voyant Tools, which will spit out all the most common words and phrases. Find the most frequent ones that seem important and relevant, and work them into your resume, even if it seems weird to refer to yourself as a "team player" or "entrepreneurial".
Don't be bad at interviewing, not even a little bit bad.
Being a good interviewee is a skill. Most of us aren't born with that skill, and most of us are rusty when it comes time to look for a job. I knew I wasn't great at interviewing, but I really didn't want to go through awkward practice interviews with friends, so I told myself people would understand why I was all nervous, and realize I was still super talented and experienced despite my 'rough edges'. WRONG. I blew it on a lot of interviews before admitting that I had to practice, a lot. I did a bunch of practice interviews, got feedback, and I even talked to an interview coach. The latter was expensive, but I think the dose of outside perspective really helped. YMMV.
I practiced enough that I started getting to final rounds instead of washing out in the first couple rounds. It made a huge difference. Practice.
Don't wing it during the interview.
For 'behavioral' questions (i.e. "tell me about a time when..." questions) everyone says you need to have multiple answers memorized for every major category of question. Ugh! So much work. Greatest weakness. Success story. Failure story. Conflict story. Collaboration story. YAWN. I thought I could come up with good answers on the spot. It's "supposed to be a conversation", right? WRONG. I blew it on a couple interviews before realizing I was coming across as both unprepared AND inexperienced.
Sit down and work out your bullet points for every answer, BEFORE you land an interview. Pain in the butt? Yes. But not as big a pain as getting an interview, blowing it, then ending up doing the work anyway.
Don't apply to old job listings.
If it's still up, they're still hiring, right? WRONG. I have found that job listings are good for about as long as fresh bread. You mostly want to apply the day they're posted, 2-3 days is OK, 5 days is pushing it, beyond that, it's literal trash. I started out applying to anything relevant that was less than a month old, and my app-to-interview yield was around 1%. Started applying to new listings exclusively, and my yield went to more like 3%. YMMV.
Don't apply to listings that aren't on the employer's own site.
It's become disturbingly common for 3rd-party sites to steal and re-post job listings they have nothing to do with. You click on a link on LinkedIn or Indeed, and you end up on Neuvoo or some random BS. Don't submit any of your info on those sites. Very often the jobs are expired already, but these 3rd-party scammers are still re-posting them to steal your info. Even if they're not expired, there's no reason to think they actually send your application to the employer.
If you land somewhere unexpected, go to the employer's actual careers section on their site and find the listing yourself. Otherwise you're just giving your info to someone to sell, and the employer probably never sees it. Please report these listings as you go.
Don't be too picky with job titles.
Unless your resume precisely "fits the profile" employers are looking for, you're going to have to apply a lot. I had to apply a lot. At first, I was exclusively applying to one title, because although I didn't "fit the profile" I didn't want to compromise. I ended up getting a really solid job with a different title, after I loosened my criteria JUST a tad.
Have a serious talk with yourself about how many months you're willing to apply before broadening your search, and don't talk yourself out of good jobs because they have the "wrong" title.
Don't be too loose with companies you apply to.
At a couple points in the process, I ended up with interviews at companies that I seriously didn't want to work for. I was playing the numbers game and I would apply to anything with the right title, even if I hadn't heard of the company. I figured if I got an interview, I would worry about the company later.
Difficulty: If you are on unemployment, this can lead to a sticky situation - if you turn down an offer, you legally can't collect unemployment anymore in many places. It's also pretty hard to justify to yourself turning down ANY interview if you actually need the money.
Have a loose idea of who the company is before applying, to avoid those awkward moments.
Don't stop applying until the ink is dry on your offer letter.
My advice is to apply to every suitable listing as soon as it's posted, which could be as many as 10-30 per day depending on your field and geography. If things are going well, you'll also have interviews going on during any given week, which also put heavy demands on your mental energy and prep time.
It is tempting to stop applying for jobs if you are doing multiple interviews and they seem to be going well. You need the time, and one of them has to work out, right? WRONG. It happened to me multiple times - I'd get further along in an interview process, I'd be focusing on prep, and I'd let my application routine slip. Bad idea. If your application pipeline runs dry, it can be another 2-6 weeks before the interviews start flowing again. ABA - always be applying.
Don't get your hopes up. (maybe the most important tip.)
Your mental resilience to rejection and your self-regard are finite resources. They are resources you need to conserve to maintain your overall mental health and good job-hunting habits. Job hunting can burn through these resources like Joe Exotic through a bag of meth. Don't be like me and get emotionally invested in any given job before you get an offer. Don't start picking out all the stuff you're going to buy with the new salary. Don't start thinking of what doors are going to open up for you with this step in your career. Don't mentally pick out outfits for your new commute. Just don't.
I consider myself a mentally tough person, so I should be able to handle the repeated rejection, right? WRONG. If you allow yourself to start caring about a job before you GET the job, you WILL be crushed to bits. Maybe not the first time, but after the 5th, or the 10th, it becomes hard to take.
To some of the newer job hunters I've seen on this sub: Caring about a job from the day you APPLY? Sheer lunacy. You shouldn't even remember where you applied by the time you go to bed that day.
Keep in mind: It's a numbers game. It's not personal. You WILL get the right job eventually, if you keep going. You have to maintain faith in yourself, but hold no hope for any particular job.
In emotional terms, treat it less like a poker game, (where any hand can be a big deal) more like a slot machine (where you care zero until you finally win). No matter how tough you think you are, take care to maintain your mental state, especially during COVID where so many aspects of life are also wearing down our mental health.
Don't be afraid to be a try-hard.
The role I finally got was based largely on a "take home project" used to demonstrate my working style. It was paid, also really long, the minimum suggested time was 10 hours. Usually I put 70% effort into trial projects, because I don't want to bust my ass for a throwaway, and I don't want to look desperate. My thinking is "Well, we're all professionals, so as long as I mention a few of the right things, they'll know we're on the same level, right?" WRONG.
On this one, I decided to go HAM on the project. All or nothing. I ended up putting over 20 hours into it, (the max time they suggested was 20) and came up with a total overkill amount of material, it was probably 20 pages worth, if not more. To give some idea, I spent like 4 hours just doing addressable market sizing, which everyone including me acknowledges is fairly pointless.
Part of the project was also to see how we communicate about our work - they put me on their company slack, so I logged onto it pretty much every day to update them on my progress. It was firmly in try-hard weirdo territory. But it worked!
So I guess my lesson from this is, if you're going to bother with these projects, be the one who turns in the blue ribbon material.
NB: Be aware of "free work" scams where they try to get you to do the actual job without hiring you for the job. If it's pertinent to the actual job and it's more than an hour or two of work, it should be paid. Unpaid trial projects that don't relate to the actual business are OK, but you'll have to decide for yourself how much time you're willing to put in for free.
Don't assume ***anything*** until it's final.
In 3 instances, I got much further than I expected in a hiring process, and in one I was blindsided by a rejection where I thought I was a shoo-in. #1, they interviewed me for the role (up to the final round) even though the job called for an actual engineer and I have zero engineering experience.
In #2, I blew an interview and got rejected. I knew exactly how I blew it, I got the yips and did poorly. So I sent an email reply explaining what I SHOULD have said, and that I really believed in the company's mission, and that I realize I was a poor interviewee, but I was working on it - they actually gave me another shot and I made it to the final round.
In the last unexpected twist story, they actually scheduled a final interview, then CANCELLED IT. I have been rejected for about a million jobs, but I've never been cancelled on. They said that instead of an interview, they would just review my trial project. I couldn't imagine cancelling an interview with someone you intend to hire, so I assumed this 'review' was just a consolation prize and the job was going to someone else. On the day the cancelled interview was meant to take place, they offered me the job. Huh???? Later that day I rode to heck on a flying pig and bought a snowcone there. But I also got a job.
On the other side of things, I was told directly I was the top candidate for a role, the only one who was really qualified, but because of COVID they were putting the role on hold. OK cool, I figured I was a shoo-in once they actually hired for it. Well, they re-listed the job about 45 days later. They didn't reach out to me. I messaged them. They told me I wasn't even going to get a phone screen for it. WTF? They lied to my face for no reason whatsoever? Yep. They did.
The lesson: Do not assume anything! ANYTHING!

Firstly, just wanted to say that the 400 hours is me restarting the game...four times over? I've also not been following this game, I knew it was coming out but I put at the back of my mind, never gave into the hype and only bought the game when a guy from work was talking about it.
Gameplay TL;DR:
Game is broken. By level 50, enemies either did 1 damage or buffed me to do more damage. Some of the guns are insanely fun but break the game. It's fun, but if you want a challenging experience wait till some good addons come out.
Story TL;DR
Main story is quite short, it's not effected by any side quests you just get different endings that you can choose, one ending feels more finalised but open to a sequel/DLC the others either just end (which is intented) or just end on a "To be continued."
Romance quests are very good but the romance is just do quest, sleep with them, end of romance, apart from one character.
Some of the side quests are VERY VERY good however and the overall theme of Cyberpunk is in my opinion, excellent, it's just let down by the main plot.
Bugs/Glitches TL;DR:
No crash to desktop, main problems were only for those strange people like myself who play non lethal but some of the endings are bugged, one of the end cut-scenes is bugged.
Overall TL;DR:
I think if you really really want to play this game, play it. I had a lot of fun and got my moneys worth, though I would be lying if I didn't say that I'm not dissapointed with the end product. If you're on the fence and you're reading this to see if it's worth £40-50 then I would say don't get the game, wait till next year when the modding scene has expanded more and all the DLC has come out, get it on a sale.
When the ending cutscene is bugged and after what...3-4 patches and the lead dev has said how proud he is of the PC version, I would say that it's best to hold off.
​
Gameplay:
I played purely on Very Hard and tried a no kill playthrough which...I couldn't do all the way due to certain sections of the game but for majority of the game I didn't kill anyone. What I liked about the game is that it didn't say "Oh well, you best get used to the taser weapon or the stun gun, because that's all you get!" like so many other FPS RPGs that offer that, I was using shotguns, sniperrifles, assault rifles, SMGs...anything, really. That's good!
My build:
https://nukesdragons.com/cyberpunk-2077/character?v=1&a=if4ig&s=iiifff44iigg&p=h42h83hd1hg2hh1u11u41ua3uh1b13b32b42b72b83b93bc1bd2be2bf2a01a41a62a81a91ab3ah1ai2aj1ak1al2w01w11w31w63w72wa3wb2wc2n01n21n43n73n82na1nc2nf1nh2s51sc1sk1c01c11c42c61c72c82c93ca2cb1cc1cf2r32e62eb2eh2ei1 If/When I replay, it will either be:
https://nukesdragons.com/cyberpunk-2077/character?v=1&a=a9kck&s=111999kkcckk&p=p02p11p21p32p42p51p61p72p81p91pj1pa1pb1pc2pd2pe2pf2pg2ph1pi1q01q12q23q41q51q63q71q81q93qa3qb3qd2qe1qf3qi1aa1ab3af3s31sa1sb1se2sf1si2sj1c01c11c32c51c61c82c93cb1cc1cf2cg2ch1ci1eh2
I did make my gear and I put all epic armour increasing mods into the slots, then with my weapons all epic crit chance or if they had 100% crit by default, Crit damage. I used Qiant Sandevistan which would slow down time and lowered the CD on it so I could use it every 19 seconds.
To put this into perspective of how this was at level 50, the most damage done to me was the end boss and it was about...20-30 damage, other than that, everything was 1 damage. With Katana and Cold Blood I had about 14-15k armour, with just the Katana it was about 6k and with any other gun it was 5k armour. I got this by upgrading everything to as far as the game would allow which when you hit 50 is just one extra upgrade. My health thanks to the consumable perk and health perk was about 850 to 1k with all consumables. My Cyberware made me immune to bleeding, my perk made me immune to poision, if I took shock damage my armour would increase by 10% and I would take no damage and fire would increase my damage by 10%.
So...I took 1 damage with a 800+ health pool, I could kill everything very easily dealing about 24k damage on some enemies and I could slow down time and kill everything before they could even react. This is on VERY HARD.
"Why complain about it being broken if you broke it?"
Because I was told that the secret ending was very difficult and I was also told, by the game, that in very hard, you have to use EVERYTHING to survive. The problem is the game devs...for some reason...lets you out level all the mobs in the game, at level 50 the only "yellow" enemies were two mechs on the secret ending and the end boss, all of which died super quick anyway because the damage is broken.
The other problems I had and the other reason I hit 50 was I was told "Do the sidequests, they effect the ending." and with the Cyberpsycho being all about keeping them alive, I thought "There's gotta be a moment where she comes in and helps me or someone out." But...nope, you don't get anything other than money. Nothing happened when I did all the police side quests, nothing happened when I did all the races, the only quests that did matter were two side quest chains, Panam and Johnny...maybe the boxing ones.
"But you get tons of cash!"
If you go down the hacker route, it's kinda pointless because you get all your hacks via crafting or random drops from terminals.
"Ah! But you went guns blazing, all guns, must've cost a ton to get all your armour up, weapons and ammo!"
Afraid not. Once you get the epic grenade blueprints you can make your set for a lot of your upgrades, you just buy cans of soda from vending machines and take them apart which doesn't cost that much anyway. The legendaries are a bit difficult, granted and that's why I said the boxing quest chain is actually very useful if you want to play a non hacker route.
Outside of upgrades once you get any weapon mod and the perk that grants a 20% chance to get an extra item when you make gear, you're set as they all use the materials you get from soda cans or random junk items.
General view
I suppose when it's all said and done, I can't say I didn't enjoy the gameplay. I played 400 hours of it. It is to easy and if I wanted to do a "All guns blazing" build again, maybe just stick to epic gear. If we get a new game plus or some difficulty mods that would be perfect, something like enemies using tech weapons more to shoot through walls, more smart weapons hitting you behind cover, more netrunners hacking you all the time and having them stun/blind you or something, just anything other than setting you on fire...a cyberware mod makes them buff you for crying out loud.
One of the main reasons I went the gunner route was because I saw so many great guns I thought, at the time, I couldn't use so...I will say that with my build, all the guns I had, it was a lot of fun, I really really enjoyed it...it's just far far to easy, I wanted something to say "Ok, you think you got this, let's put it to the test!"
Story:
I didn't really know all that much about Cyberpunk coming in, I love Bladerunner and Ghost in the shell, distopian stories where it has a message and hopefully a nice ending.
Cyberpunks story was good, there are some side quests that I will remember, I won't say which ones but I will say that if you like story, it's good to pick them up. There aren't that many of them, a lot of side quest will be just "Kill the dude. Steal the thing. Hack the thing." with a text being sent to you on why you should care, most of the time I didn't really care all that much but those that did offer something a bit more, did make me pause and think about it, even think about them as I walked away from the game on what was the "best" option.
The romances are...ok. There is certainly more effort in Panam than the others, who, do have their own quest lines and they're the best quest lines in the game but Panam, as a romance story line does seem more fleshed out. The others are sadly very much a "Do my quests, then do me, ok see you at the end of the game!" Panam fights alongside you, you both go on a big character journey together and the fact she joins you in one of the best endings says a lot. A bit dissapointing for me, as I liked Judy and one of her endings was very nice but when I saw what Panam got...argh, was frustrating.
The main plot itself is unfinished. If you can be bothered (like I was) do all the side quests, everything, then do the main plot. Not only will you find that during your time the main plot is very short only about...10-15 quests? Of which none of the side quests you can do effect them, at all, no dialogue options that I could see, none of them alter the story a bit...nothing. The endings aren't effected by sidequests either, you get extra endings, two if you do two side quests but that's it.
I won't spoil what the endings contain, but I will say, for the sake of saving your time if you're reading this before doing them, that the secret ending is pointless and lazy. It's basically one of the endings but they removed the NPC's from the ending and just spawn some mechs, then after that you get the same boss fight you would get regardless of the ending and then you get a rehashed ending of another ending and an epilogue from another ending. Basically they just took apart the endings and stuck them together to get the "Secret" ending, you get about...a few bits of dialogue from a character but...it's not that great honestly.
The biggest problem is this is a "The ending will be in the DLC!" kinda game, where, even the main character points out how pointless the whole thing was. I HATE these kind of endings, the only saving grace is that...I HOPE, this is going to be in the free DLC they're doing this year.
Glitches and Bugs:
At this point in time, I came across TONS of bugs. Nothing that crashed me to desktop par once (which is a deal breaker for me if it happens to many times) the only issue I did come across was playing non lethal, where, if you grab a enemy and drop them during stealth...for some reason, they are more prone to glitching and exploding in a bloody mess. If you stand and drop them, make sure the ground is as flat as it can be, you might, MIGHT be ok. The other thing to do is enemies would show the death animation (no breathing) BUT if you pick them up, drop them, turn around, sometimes the animation will change to show they're still alive. If you hit them whilst they're on the ground, even if it's a stungrenade touching them, yes, touching, not exploding, you throw a grenade at them and it bounces off of them, they die.
Cars would smash into concrete, textures would take ages to load, sound would be to loud from time to time, some dialogue had the tech distorted effect some didn't, Tech guns randomly not charging up to shoot...all of which I could ignore as they either didn't effect me to much, I could fix by saving the game and reloading or were just funny.
When the endings are bugged, that to me is very different and that's what made me go from "This is one of the best games I've played!" to "They just stop caring."
So during the "Bad" ending, dialogue wouldn't play I just saw text, I had to reload a save to make it work. On the "Good" ending, during a quest I was told to drive a vehicle and then park it in a tent, the only problem is I couldn't do it because an invisible wall was blocking it and I would just flip over, I couldn't get out to continue the quest or fail it, but luckily you can skip it. Then on the "Good" ending, on the very last cutscene I drove into the sunset...literally into the sunset as the Vehicle was driving on the skybox.
When you haven't even tested the ending, worse, you say "We're proud of our PC version!" it's such a slap in the face, yes, I'm sure these will be fixed...I hope, but I don't want games in the future to be like this, I want a finished game, certainly if you're asking £40 for it. The free DLC better be something decent and not "Paint your car!" but either way, the damage has been done and it's a real real shame. This game deserved to be polished, it has so much potential and there's so much to like here it's just sad to see it be this...messy and uncared for.
Overall:
400 hours of gameplay, do I regret it? ...No? I mean, I've come away disappointed because of how bad some of the flaws are, more so with the lead dev saying how proud he is of the PC version but...I would be lying if I didn't say that if they brought out new game plus, there was some mods that made the game a lot harder...I wouldn't go back.
I will play Male V romancing Panam as I have a very strong feeling that's the "intended" storyline and though my choices won't matter in the end, there would be some things I would do differently. I did enjoy my playthrough, I like Judy as a character I just wished I could do more, like...something as simple as hang out on her couch and watch TV with her would've been fine, doesn't have to be grand and epic, just simple character interactions...which you get through quests with Panam.
Could I recommend this game to others though? Not really...If the glitches and bugs was just the odd here and there, ok, fine, it's an open world game with amazing graphics, sure, you will get some problems..but when your endings are bugged? Nah, it's not acceptable.
Maybe some people can look past it, I would like to but I just feel...like a chump. Here's hoping it gets better, they did say they were working on it more and didn't find it acceptable but...not sure if that's just console, we'll see.

Card Balance in LoR

There's been a lot of recent discussion on what the next balance patch should look like, and I feel like a lot of discussion overemphasizes the importance of card balance as opposed to deck balance. I think it's reasonable that LoR wants a range of viable decks with similar power levels, but I'll argue that I don't even think having a game with balanced cards is a good thing.
Decks win games, not cards, and in decks with 40 cards and 2 regions there's a lot of room for cards that, in a vacuum, are more mana-efficient than their competition but don't hurt the metagame health because you can't just run the 20 best cards and win every game. Deck strength isn't a simple function of the individual strengths of cards, but rather that combined with their synergies and the current meta matchups.

Card Balance Statistics

Because of this, when you look at cards by win rate, you don't see the truly best cards, because it's hard to have a crazy high win rate if everyone uses something. If a card had an 100% usage rate it'd have a 50% win rate, after all. This means that I'm not going to use win rate to say that cards are good or bad, because the best cards by win rate are usually just the cards that only see play in tier 1 decks: not [[Mystic Shot]] (50% win rate on the dot), but [[Augmented Experimenter]] (55% win rate). Chances are, if you're running Augmented Experimenter, you're running discard aggro, which is a good deck that isn't hard to pilot, and so you're likely to win. Mystic Shot is included in all sorts of offbeat decks, so its gets dragged down even though I'd claim it's a much better card.
Instead, I'm going to use inclusion rate as a better stat, with some caveats when necessary. The list sorted by inclusion rate looks a lot more like the best cards in the game: [[Deny]], [[Pale Cascade]], [[Hush]], [[Mystic Shot]], and [[The Grand Plaza]] are the top 5.

Commonalities In the Best Cards

What do these top cards have in common? Some of the commonalities are probably due to the choice of statistic. Cards that require very specific decks to shine are obviously not going to be included because they get dragged down by every other deck their regions run. ([[The Harrowing]] is a fantastic card, but two of the most common SI decks, BWSI Go Hard and FTR Control, get very little value from it, and it's a 9 mana Slow spell so they're not going to just throw a copy in.)
You might notice that, while some of these are complained about often (I see you, Grand Plaza with over 2.8 copies per Demacia deck in both All Ranks and Masters!!!), many aren't: [[Mystic Shot]], [[Single Combat]], [[Thermogenic Beam]], and [[Glimpse Beyond]] are all top 15 cards by this metric. Why are some of these cards so hated when others aren't?

What Makes Cards Hated?

Let's look at some of these hated cards to try and find some commonalities.

• Being good is obviously correlated with being disliked: no one hates [[Parade Electrorig]] because it's complete trash. (What a revelation, I know.)
• Cards that have easy comparisons to other regions can feel overtuned because it's easy to see the mana advantage they give over other cards. [[Ravenous Flock]] is often highlighted for this reason: it's so much better than [[Paddle Star]] that it must be broken, right? [[Sharpened Resolve]] is a way better [[Twin Disciplines]], and [[Sharpsight]] is way better than both of them.
• Polarized cards with really good ceilings are easy to complain about. [[Hush]] singlehandedly dismantles some archetypes, and seeing a 2 mana card undo much more than that clearly suggests overtuning. Compare [[Mystic Shot]], which is extraordinarily consistent but rarely has some amazing payoff.
• There's also definitely an echo chamber effect which I won't ignore: watching a streamer dunk on [[Pale Cascade]] certainly prompts some thought about how insane the card is. This isn't really something balance patches control, though, so I'll ignore it.

But these aren't necessarily great predictors either: [[Relentless Pursuit]] is a top 15 card that compares very, very well to other sources of Rally (moment of silence for [[Shunpo]]), has one of the highest value ceilings in the game, but isn't complained about to the same degree as other cards like it.

Card Balance vs. Card Design

I think the answer is really that people dislike the appearance of imbalance more than they do actual card imbalance, because having better-than-average cards isn't actually a bad thing.
Let's say [[Single Combat]] was 1 mana more. In fact, we don't have to imagine, because [[Strafing Strike]] exists. It's not unheard of to run Strafing Strike as a fourth Single Combat, and if Single Combat didn't exist I think the vast majority of current decks running Single Combat would just run three Strafing Strike, even without the heal effect.
This makes Single Combat one of the best cards in the game for sure. It's 33% cheaper than a card that would see heavy play if it didn't outcompete it. There are an average of 2.65 Single Combats per Demacia deck, 6th in the entire game. The card is crazy.
Yet someone replying to my last post said the card was one of their favorites. I hear basically no one complain about Single Combat.
That's for good reason: the card is well designed! It makes games more interactive, it makes the most vanilla archetype in LoR a lot more strategic, it can be played around using a wide variety of mechanics so almost any deck has some way of dealing with it, and it's just an interesting card that makes interesting moments.
Because it's a fun card, having it be really good is, if anything, good for the game, because it means that on average more cards in a game are interesting. ([[Chief Mechanist Zevi]] is a super interesting card, but it doesn't make the game more fun because you'll never see it played!)
There's a lot of discussion that basically has people talking past each other here: "Hush isn't good" is not the opposite of "Hush needs a change." Cards can be badly designed even if they aren't good. A 0-mana Burst "win the game if your opponent has a Vladimir in their hand, deck, or board" would be unplayable, but it would be an awful card design.
This is not to say that card balance isn't an issue at all. This is mainly because overpowered cards can cause more random variation in games, which is personally not a fun part of the game. A 0-mana "win the game" card would obviously be terrible to play with, because it would make any game a coin flip. Cards like [[Targon's Peak]] have explicit randomness that can be frustrating, but cards that you really want to draw compared to other cards in your deck have a similar randomness that can be harder to spot because they don't say "random" on the card face.
This is a common link to a lot of the hated cards I was talking about earlier: they're cards you don't want your opponent to draw. Almost all of the cards I'm talking about are cheap and can use spell mana: people know that the chance their opponent has drawn [[The Dreadway]] by turn 9 is pretty good, but playing [[Teemo]] turn 1 prompts a sigh from people because it swings the game measurably but isn't incredibly likely either. Zoe is great if you can draw her. Pale Cascade is always great, but in the early game it's way more likely that the stats matter and the extra card can be seen earlier: its a great card to play early.

What Makes a Card Broken?

If I had to define "broken" using this metric, it would be this: a card is broken if, in decks that have high win rates even without it, that card being drawn significantly improves deck win rates. I don't know of any such stats that track this, but I'd be interested in looking at them.
To make it clearer what this definition is not:

• It's not "cards that make decks better when played", because otherwise [[Purrsuit of Perfection]] would be broken. Playing FTR usually wins you the game because your deck is made to win in the lategame and, if you're playing FTR, you got there.
• It's also not cards that improve a random deck's win rate the most. That's mainly a function of having high synergy, which isn't a bad thing on its own, although it can be argued that cards like this are still annoying because they make drawing it more important. I'd love to see a [[Yasuo]] tutor in the game, for example, because the luck of drawing him is a huge swing for Stun decks. But, importantly, [[Yasuo]] makes an awful deck playable, not a good deck overpowered.
• Similarly, it's not comparing decks by win rate with or without the card. That instead measures a card's "wins above replacement", which depends as much on the replacement as it does the card itself. [[Genevieve Elmheart]] is a great card, but she has the terrible luck of competing with [[Cithria the Bold]], which is one of the best cards in the game.
• It has virtually nothing to do with mana advantage or comparisons to other cards in the game! People often fall into a trap of comparing terrible cards to decent ones or overemphasizing nerfs because you remember how good it used to be. Just because [[Scaled Snapper]] is 100% objectively better than [[Golden Crushbot]] in every single instance it's played except Allegiance odds doesn't mean the card is good!

The main problem with this definition I can see is that it doesn't account for the meta knowledge of players. There's a class of cards like [[Deny]], [[The Ruination]], [[Sharpsight]], and [[Hush]] that are so common and have such a high potential to win games or net huge value that they can win games without ever being played or drawn! If I see a Shen/Fiora list has 7 cards and 5 mana open, there's no way I'm playing my [[Supernova]] unless I'm really in dire straits and can't afford to play around [[Deny]], but they might not even run it in their deck! Honestly, this is what makes the dominance of cards like [[Deny]] even more remarkable: they're so good that, even though just bluffing it is already good, playing it is still so much better: it's a buff to all of Ionia.
This has a direct correlation with the design goal of rewarding strategic play, and so it's clear why a card like this is bad for the game: if winning games is more about getting lucky than playing well, that's obviously not super fun for a competitive scene.

Is That Always a Bad Thing?

Cards that aren't even broken because they're not actually good can still be bad for the game's health if they still tick the other boxes. One reason I think Daybreak gets a lot of shade thrown at it is because the Leona level up condition is hugely draw dependent, and I'd like to see more tutors for cards like Yasuo that need to be played to make their decks work. Saying "oh look, Crimsons aren't that good, let's add [[The Scargrounds]]" just makes a deck that's either above average or really bad, not a deck that's consistently playable.
Similarly, I think there are plenty of objectively overpowered cards that I wouldn't tweak. Core cards help build region identity, which isn't often talked about as an important thing because it's not directly related to competitive gameplay but is still important. If you look at the list of cards by inclusion rate, you can see the core identities of different regions: counterspells in Ionia, direct damage in P&Z, combat tricks in Demacia, death synergy and high-end control in SI, etc. As long as they're not so good that they turn games into coin flips, they benefit the game and make deckbuilding more interesting. I want to play Fiora with the counterspells of Ionia, the protection and Spellshield of Targon, and the combat buffs of Freljord, but I have to pick one of them. The problem only comes when having [[Riposte]] and [[Bastion]] alongside a drawn [[Fiora]] are so good that you turn the game into a slot machine.

Wrapping Up

Sorry for the wall of text! One last thing is that I wish people talked more about the bad cards being buffed. Having good cards isn't necessarily bad, but I'd argue having cards like [[Parade Electrorig]] is basically just a waste of developer time for nothing: they could remove it next patch and no one would notice! These cards don't get talked about precisely because they're never seen, but if you look at the inclusion stats sorted in the other direction you see a ton of fruitless developer work making really interesting card designs that could be unlocked with just a bit more love from Riot.
tl;dr being a good card isn't the same thing as being broken: cards that make the game more random and less strategic because drawing them is more important than playing well are a problem, but plenty of absolutely overpowered cards make the game way more enjoyable, give regions identities, and still work because they give consistent value alongside other core cards and aren't so irreplaceable that you lose without them.
What do you all think about this? Do you think Glimpse Beyond needs to be nerfed? I'm interested to hear.

This is mostly my reactions and rationalizations to the Brave event and how it's affected me a a player of DMK. I've been playing for nearly a year. I've experienced Onward, Pocahontas, Hercules, two Tower Challenges, the Lock Shock and Barrel Halloween event, Mandalorian, and now Brave.
At first I was okay with not completing things since I just didn't have storyline characters unlocked or leveled up to be of any use. But starting around that second Tower Challenge, the one where they offered Rabbit for a second time in a row, things started feeling off. The Halloween event was brutal. Lock, the premium character, was surprising in that he not only was 500 gems but despite being useful to the point of being necessary for one of the tasks he ended up being not that useful for the rest. Meaning even people who purchased Lock found out they couldn't get Shock unless they got lucky with drops or burned through a ton of elixir buying the needed tokens. Then the Mandalorian came out a few weeks later, and I didn't participate much but I did hear that once again the premium character wasn't as useful as expected. Kuiil needed to be leveled up before he could be properly used, and he had some token conflicts with characters.
And now we are at Brave, where people who had both premium characters and the premium attraction and the parade float and discovered they could not finish the event. They did everything right, and it wasn't enough. The RNG was just too strong - there were too many stages where people got screwed over by RNG or bottle necked by arbitrary cooldown times. Some people even had full Frozen collections to help, and were struggling! I had Fergus, Dingwall, and the Ring of Stones at level 2. Up until the last hour, I had no idea if I would be able to complete the event or if I would come up short.
And I realize it's only going to get harder.
This isn't fun anymore. I've never played a game where I needed to wake myself up repeatedly during the night, to stand a chance at completing it. For days at a time. I've never played a game that made me wonder if I could 'get away' with sneaking my phone into my phone-hating teacher's class because lectures cut into a character's task completion. This is supposed to be a game, not a job.
With Brave, the difficulty is entirely intentional. Gameloft didn't want people completing the event. Gameloft wanted people so frustrated that they caved in and bought a sack of gems. Merida herself was 10USD, and without any tokens her costume was 970 gems. Two 500 gem deals bring her costume to just under 40USD. Let's say you did your best, got all the Glitched Fabric, but still came up short 7 comfy fabrics. That's still 560 gems that Gameloft wants you to spend.
You just busted your ass for the "privilege" of giving Gameloft an additional 24USD of your money. Nice hustle.
And then there's the fact that Gameloft made sure only Frozen characters can get Glitched Fabric. And not just Frozen characters, but you needed Anna and her traveling costume (so 2 legendary chests, minimum) or the Fire Spirit with the Enchanted Forest attraction upgraded to level 1 (another 2 legendary chests).
You could also have it dropped from the Dressing Room if you have it at level 2, but with an 8 hour cooldown most people couldn't collect enough fabric before the event ended and were forced to spend more gems. Some people were lucky enough to have the Dressing Room upgraded all the way to level 5, which requires a total of 475 relic tokens to do. And the odds of getting WIR relic tokens have decreased, now that Gameloft has added Brave relic tokens to the chest pools.
And when an event ends...does it even feel good having those event characters you earned? Thanks to the 75 character limit, you're going to spend the next few weeks leveling them up and then be forced to box them up and send them Home by the time the next event starts. There are so many storyline characters that have so many tasks needed to collect more tokens, but event characters are mostly isolated and very rarely are able to collect tokens for characters not in their collection. So their main purpose becomes slot machine bait: they'll eventually be the next helper collection for a future event (that you'll have to lose sleep, buy all the premiums, and even then burn through more elixir or gems or even real money in order to complete), and anyone who wasn't able to get all the characters can try their luck opening a legendary chest.
I'm not even done with the story. I'm at the brink of my game getting bottle necked because I have over 75 characters which can be out and about doing tasks. But with recent events, they prove it won't matter how far along in the story I am. It won't be enough to complete events.
Now, each new event character feels like it bloats regular chests. All those event character tokens taking up space, all those event relic tokens that you don't need anymore because the relic token system is utterly broken and Gamelot isn't interested in fixing it.
All for what? For shoring up for the next hustle. For making sure you have fewer gems ready for the next event, tempting you to give in and pay cash. And maybe this is because I've only been playing for about a year while others have been playing much longer, but it is discouraging knowing that I'll never be able to complete many collections because it all lies within the slot machine legendary chests. At first I thought Tower Challenges were going to be a chance to make up for it, but I realized Gameloft hardly ever offers Tower Challenges and when they do happen you get...one or two returning characters plus an attraction, common tier. It's been a year and Gameloft has offered a grand total of 5 returning event characters. They have also added 25 event characters.
Free legendary chests are sporadic, sometimes a few will be offered as milestone prizes during events but for the most part we get one, maybe two a month. But not in January though, we get nothing this month. Spending gems is the only way to really complete a collection, but of course you don't want to spend your gems because you need those for the next event, but of course what's the point when the 75 character limit prevents you from really enjoying and showing off your completed collections. DMK operates on FOMO: fear of missing out. If you don't complete a collection during its event, it is extremely difficult to do so after without spending money, and Gameloft ensures that the rate of free offers is outpaced by new events. "If I don't get the comfy, it won't be available again for years. And when they release it again, it will be just as hard to obtain, so I might as well spend money/gems now." That's how they get you. "If I don't get Merida now, she'll be in a Legendary Chest, but she'll only have a base 2% chance to get, so I might as well spend money/gems now." Same thing.
I've come to realize I don't feel like I'm playing a game anymore. I feel more like I'm trying to see how much I can get away with an abuser. This is no longer a fun time waster, but something negatively influencing my life. Between the 75 character limit, the lack of usefulness for premium characters, and the absurd hoops needed to complete an event to screw people over with RNG and tempt them into spending more gems/cash, this isn't a game anymore it's just a chore. I don't see DMK getting better. So, I'm done. Let it go, as a certain Snow Queen would say.
I hope I don't come off as sounding dramatic. I only want to rationalize my decision, and help others understand if they are feeling the same way. I am not demanding that anyone quit or stop spending their own money if they still find enjoyment and satisfaction. I am not angry at anyone, but I will note that the more people spend real money the more it encourages Gameloft to rig things with less and less fairness. If anyone is feeling reluctant to stop playing or reduce playing due to the time and money they have already spent, this is a phenomenon called the sunk cost fallacy. It's harder to walk away from something when you feel you have invested in it. But this is a tapping game, and the only investment is whether you still find it fun and rewarding to play. You're never going to get that money back, there will be no payout at the "end". The only real loss is your money and time if you continue to play a game that is no longer fun.
In case anyone was wondering if I was able to get Merida's comfy costume at the very end, it doesn't matter if I did or not. Because I'm walking away.
I thank everyone here, and hope whatever decisions you make, you base them on your own satisfaction. Stay healthy and happy.
And in case anyone is wondering what else to do for a time waster, I picked up the inexpensive Stardew Valley and have been having a blast with it. Yes, I traded my kingdom for a farm.

Hey all! I’m Kay and I’ve been a burgle rogue aficionado since Witchwood. Being home for the holidays this month has finally given me the time to push to legend for the first time ever with this Wild homebrew Cutlass deck. I think this deck has the chops to hit high legend if a better player with more time was able to pilot it. I had a lot of fun playing this list and got to learn it fairly well. I would love to see more Burgle Rogues in Hearthstone, and am writing this guide to hopefully inspire some of you to give it a whirl.
While I play on mobile without a deck tracker, here is my proof of Legend.
The Deck:
Margaret Thatcher
Class: Rogue
Format: Wild
# 2x (1) Deadly Poison
# 2x (1) Dragon's Hoard
# 1x (1) Patches the Pirate
# 2x (1) Secret Passage
# 2x (1) Swashburglar
# 2x (1) Wand Thief
# 2x (2) Cavern Shinyfinder
# 2x (2) Clever Disguise
# 2x (2) Sap
# 1x (2) Swindle
# 2x (2) Underbelly Fence
# 1x (3) Beneath the Grounds
# 2x (4) Spectral Cutlass
# 2x (4) Tinker's Sharpsword Oil
# 2x (4) Vendetta
# 2x (5) Cutting Class
# 1x (6) Vanish
AAEBAYO6AgTEAZsUkbwC590DDcsDzQOvEJK2AuXRAurzAvuaA/6aA62oA7euA6rLA6TRA/fUAwA=
Why is a burgle rogue deck called Margret Thatcher?
My first Burgle Rogue deck ever was named “I will steal your shit.” Then I listened to Robin WIlliams last standup album, and it included this bit about the Falklands War. “I will sink your shit” sounded similar to “I will steal your shit” and thus Margret Thatcher has been the name of all of my burgle rogue decks since.
It makes sense in my head, I promise.
Why Cutlass Rogue?
I love playing Burgle Rogue and finally decided to put my time towards making a truly viable list and hitting legend. Playing Burgle Rogue gives you three paths. You can play it with the quest, which simply delays your demise against aggro decks (Rogue lacks both taunts and ways to heal) and doesn’t put combo or control decks on any kind of timer. If there were a hardcore midrange meta for some reason, the quest might be worth a look. But until then it’s on the back burner. Another tack you can take is a deck I affectionately refer to as Cheese Rogue. Put your normal burgles, Academic Espionage, Tess Graymane, both Yoggs, and anything that helps you not die, and you have a deck that will either pull out glorious wins out of nothing or draw three Totemic Mights in a row and sputter. The other problem is that when you run an Tesspionage based list, you’re totally punting aggro matchups. While a phenomenally fun deck, Tesspionage Rogue suffers from the simple problem of being very bad (it’s hovering around a 30% winrate on HSReplay) which makes it a poor choice to actually win games with.
Cutlass Rogue instead plays more like Kingsbane Rogue on mushrooms. You’re still trying to build an enormous weapon with lifesteal that lets you outheal aggro and chip decks as well as put slow decks on a clock with heavy damage every turn, but instead of doing it with normal cards, we do it by thieving random things from other classes.
How We Win:
By getting a Spectral Cutlass with 6+ Attack and using burgled cards to disrupt our opponent’s gameplan and pump up our weapon’s durability. Occasionally, we also pull off wins with hilariously bullshit burgle synergies.
Our ideal line of early play is something along the lines of:
T1: Swashburglar (and Patches)
T2: Cavern Shinyfinder or Underbelly Fence
T3: Shinyfinder or Fence with a 1 mana burgle card, or just coin Cutlass
T4: Cutlass or a barrage of burgling
T5: Deadly Poison and Tinker’s Sharpsword Oil
T6+: Imagination and RNG!
Strengths and Weaknesses of This List:
This deck outputs ridiculous amounts of healing. Once your weapon is at ten plus attack, you will eventually escape the range of any deck trying to burn you down. The weapon also gives us decent single-target board control, essentially allowing us to take out any must-kill minion while still gaining health. Fence and Vendetta give us efficient small removal. Value is easy to find despite the low curve of the deck, with burgles adding lots of stuff to your hand and Secret Passage and Cutting Class allowing you to find more cards whenever you’d like. Sap is a phenomenal card against the meta right now and will singlehandedly win you games.
This deck heavily struggles to clear wide boards. Occasionally your burgles will help you out a bit here, but the Odd Paladins and Even Shamans of the world will simply build another one and another one and another one until you can’t clear it. Weapon hate cards also give us fits, including Zephyrs the Great who is the single biggest reason that you’ll rage at your screen. It’s also a fairly draw-dependant deck. You need your weapon, your buffs, and your burgles. If you don’t find one of these, you will lose the game. I found myself doing okay on this front (thank God for Secret Passage) but sometimes both Shinyfinders and both Cutlasses will be the bottom four cards of your deck and you will lose.
Card Choices:
Weapon Package:
(2x) Deadly Poison
(2x) Cavern Shinyfinder
(2x) Spectral Cutlass
(2x) Tinker’s Sharpsword Oil
(2x) Cutting Class
The two Shinyfinders (and to a lesser extent Secret Passage) help us hit our win condition of Cutlass as soon as possible. Once we have a cutlass equipped, Deadly Poison and Tinker’s Sharpsword Oil give the weapon enough attack to kill any threat, put our opponent on a clock, and restore massive amounts of health at the same time. Because we’re aiming to equip a big weapon every game, Cutting Class is nearly always a 0 mana draw 2 in the mid to late game which is obviously phenomenal.
Burgle Package:
(2x) Dragon’s Hoard
(1x) Patches the Pirate
(2x) Swashburglar
(2x) Wand Thief
(2x) Clever Disguise
(2x) Underbelly Fence
(2x) Vendetta
Swashburglar is the only one mana burgle card with a body in the game. It thus gives us a free card that activates our synergies while also contesting the board on turn one. The inclusion of Patches thins the deck and allows us to play on even footing early with even board-centric aggro decks. An important note is if you’re against another rogue (I saw very few during my climb) Swashburglar will take a random rogue card, which won’t activate your Underbelly Fence or Vendetta, nor will it add durability to your cutlass.
I originally included only one Wand Thief but it turns out Mage has some very good tools for our purposes. The wide variety of AOE effects, card draw, and freezes were nice, but the strongest part of Wand Thief is that Mage has so much shit that costs 0, 1, or 2 mana. While burgling Flamestrike is fun and can be the correct choice in some matchups, most of the time I’ll find that I’d much rather have a Freezing Potion that I can squeeze on top of other cards than a big spell that will take up my whole turn. While Mage does have some dud spells (Glacial Mysteries anyone?), the discover aspect means that you can almost always find something that will serve your purposes. This deck generally wants spells over minions because spells tend to have initiative and we rarely need to build a board to win the game. All of these aspects raised Wand Thief from a fringe inclusion to one of the strongest cards in the deck. Beware of picking Brain Freeze or Potion of Illusion as dual-class cards will NOT activate your burgle synergies or add durability to your Cutlass.
Dragon’s Hoard was another card that I didn’t originally include two of. In fact, I didn’t have it at all in the deck’s first iteration. On the surface, it doesn’t make much sense. Hoard doesn’t help fight for board and gives us a minion not a spell. And not only a minion which might not have initiative, but legendary minions tend to be more expensive than average. So what was I thinking? Turns out legendary minions are powerful enough to justify the card. From Inara Stormcrash to Archmage Antonidas to Lucentbark, Dragon’s Hoard can simply win you the game off of one highroll. Just like with Wand Thief, there are plenty of terrible legendaries, but the discover aspect tends to offer at least one decent choice. Also, the card is damn fun and slamming down a King Krush for lethal as a rogue will never get old.
Clever Disguise is simply a volume burgle. You need enough cards from other classes to pump your Cutlass up with enough durability to kill your opponent, and Disguise gets you two of them for two mana. I don’t love this card but it’s sheer efficiency makes it impossible to drop.
Along with Cutlass, we use shockingly efficient removal tools Vendetta and Underbelly Fence as our burgle payoffs. Against board-centric decks like aggro druid, and decks with must-remove threats like Big Priest, these cards make a load of difference. Vendetta being zero mana nearly always gives it more flexibility as a combo activator for Wand Thief and Tinker’s. Fence is also a phenomenal play with Tinker’s - the six attack Rush minion will clear midgame threats while allowing your buffed weapon to swing face.
Other Stuff:
(2x) Secret Passage
(2x) Sap
(1x) Swindle
(1x) Beneath The Grounds
(1x) Vanish
Secret Passage is broken and should be in every rogue deck ever. In a draw-centric deck like this, it’s even better. Can't find Cutlass? Secret Passage got you. Don’t have weapon buffs? Secret Passage got you. Don’t have enough burgles? Secret Passage got you. Need Vanish immediately? Secret Passage has motherfucking got you.
Sap is our carry against Big Priest and any other deck that cheats out massive threats. Not killing the Blood of Ghuun, Walking Fountain, or Voidlord means that it can’t be rezzed and your opponent has to play it when they reach the appropriate turn. By which point, we hope that they’re dead. Sap also makes us one of the few classes that can deal with an early Edwin.
Swindle is a true 30th card. When I cut Fan of Knives (More on that below) I needed one more card to fill the deck, and Swindle felt like a generic good rogue card that would make my draws marginally more consistent.
Beneath The Grounds is my middle finger to highlander decks, especially Zephyrs the Great who gets his own section later. If you’re against a Reno Warlock or Machine Gun Priest, having this card will likely win you the game. If you aren’t, it’s probably a dead card unless you’re floating three mana for some reason. It says something about the Wild meta that I felt like this was a very worthy tradeoff and seriously considering putting two in.
Vanish is a last hail mary against a deck that does manage to build a board against you. It pulls its weight especially against Big Priest, Evolve Shaman, and any kind of Deathrattle deck that tries to build an impenetrable board. But it also costs six mana, which makes it a very expensive and very dead card a lot of the time. I’ve had one copy since the beginning and it feels like the perfect number. A thing to note is that Vanish can bounce your own cards too - make sure to play your Swashburglars and Wand Thieves before Vanishing if you have hand space and mana to do so. Another point to remember is that if your opponent has more minions than they have hand space, Vanish will return the cards to your opponent’s hand in the order they were played. When your opponent hits ten cards, any remaining minions will be destroyed and their deathrattles WILL be activated. This is especially important for Scrapyard Colossus and Voidlord, who deathrattle into more taunts which block your weapon swing into the face of your opponent. Either destroy the original bodies so Vanish kills the deathrattle spawns or kill enough minions played before that the deathrattle taunts are safely returned to your opponent’s hand.
Didn’t Make The Cut:
I included two copies of Fan of Knives once I realized how terribly I was doing against Aggro Druid and Odd Paladin. For a while, they felt decent. A boardwide ping is nice, and Fan also cycles itself so it doesn’t even take up a valuable card slot. But then I realized two things about these decks. Odd Paladin has infinite minion generation potential with their hero power. Killing a board of 1/1’s might delay their buffs a turn, but doesn’t run them out of board refills because they can generate dudes without using cards. And aggro druid would either have a board buffed out of Fan range by turn three (and I would be dead) or they would run out of steam and awkwardly flop. In neither case was Fan drastically changing the game, even if it felt nice to kill a board of dudes. So out the door they went. Replaced with BTG because I was facing Reno Priest every game and Swindle because it just seemed good.
It really hurt to cut Tess Graymane. She’s one of the most fun cards ever printed and slamming down waves of burgled shit never gets old. But as I transitioned to a spell-centric burgle deck, her random nature became more and more annoying. When Tess is slamming 8/8’s and 12/12’s, she’s phenomenal. When she Ice Lances your face, Fireballs herself, and gives your opponent’s minion a Blessing of Authority, she’s much less useful. Her cost of 8 mana simply made her far too expensive for the minimal number of times she was remotely useful.
One thing I was consistently wanting in this deck was more weapon buffs. I experimented with Goblin Auto-Barber and Vulpera Toxinblade but neither ended up making the cut. Auto-Barber was too minimal a buff to feel particularly useful, and Toxinblade’s temporary status made her not worth the slot. This deck doesn’t exactly run minion threats, so Toxinblade was always eating my opponent’s removal and never really surviving more than a turn, which she needed to in order to be a strong inclusion.
Of the other Burgle options, Hallucination and Blink Fox are the other ones that are even vaguely worth running. Hallucination would be a reasonable choice to experiment more with (potentially two over the Dragon’s Hoards) but I found them underwhelming due to the sheer number of dud or synergy-dependant cards in many classes. Oftentimes, I would have only one decent pick off a Hallucination with an expensive spell and an understated minion taking up the other two discover options. Blink Fox was too expensive for a Swashburglar effect and a 3/3 on turn 3 doesn’t cut it as a body in Wild. Both also suffer from the Swashburglar problem of being utterly cucked against Rogues.
I also briefly considered replacing Beneath the Grounds with Bad Luck Albatross in order to mess Big Priest up. However, I wasn’t having a huge Big Priest problem, and the only way to kill Albatross in the deck is with Vendetta, which is often better used to kill the minions the priest is cheating.
The Zeph Rules
Zephyrs The Great is a phenomenally powerful card and a staple in two of the best decks in Wild - Reno Priest and Renolock. It also utterly destroys this deck by generating an Acidic Swamp Ooze on command to send your weapon to an ignominious and oozy demise. While there’s no denying that Zeph really sucks for this deck, there’s a couple of things we can try.
Tactic 1: The Great Zeph Bait.
If you’re able to draw into both cutlasses fairly early (not an uncommon occurrence), you can go for this strategy. Play a cutlass, drop a Tinker’s or a Deadly Poison, and potentially play a Burgled card or two. If I’m trying to force Zeph specifically, I will usually follow this by skipping my next swing. Essentially, you’re trying to make your weapon look as threatening as possible without committing many resources to it. When your opponent plays Zeph and subsequently Ooze, you can play your second Cutlass and fearlessly toss all of your buffs on it. If you go for the Great Zeph Bait, make sure to kill both minions before developing your second weapon, as a fair number of Reno decks run either bounce or copy effects. If they’re simply able to add another ooze to their hand and save it for your second weapon, you will be sad.
Tactic 2: Make Zeph Whiff.
Zephyrs is a phenomenal card, but his inability to understand card text can be his downfall. While he understands that Spectral Cutlass is a big weapon, he doesn’t realize that it can gain infinite durability. He doesn’t generally seem to value Lifesteal as highly as he should either. He also can’t look at decks, so he doesn’t realize that our only win condition is to buff the weapon. My point is that while Zeph is strong, he doesn’t value killing Spectral Cutlass nearly as highly as he should (a priority above all else except avoiding direct lethal). But because Zeph is still a discover and offers three cards, it isn’t easy to get him to not offer weapon hate at all. Essentially, you have get Zeph to value three other things more highly than destroying your weapon. If you can do this, he will not offer Ooze, even when a cutlass is active on your side. Many opponents don’t recognize these whiff factors, and won’t take measures to maximize their likelihood of hitting an Ooze (like playing Zeph with exactly two mana remaining).
There are a few things you can do to maximize your chances of Zeph whiffing. These tips are roughly in order of effectiveness.

1. Keep your weapon as small as possible, both in Attack and Durability. Decreases the likelihood that Zeph will value weapon removal.
2. Build a board of minions. Increases the likelihood that Zeph will value AoE spells.
3. Play a Secret or two. Increases the likelihood that Zeph will offer Flare.
4. Play one large/must-kill minion. Increases the likelihood that Zeph will value removal.
5. Lower your opponent’s health. Increases the likelihood that Zeph will value healing.
6. Keep your opponent low on cards. Increases the likelihood that Zeph will offer draw. Careful about doing this if your weapon durability is more than one at 7+ mana as Zeph is more likely to offer Harrison Jones.
7. Niche cases. Keep an eye out for any conditions in the game that synergize perfectly with a basic/classic card that Zeph can offer. For example, if your opponent has a 1/10 minion, keep it alive as Zeph is more likely to offer Inner Fire. If they have three murlocs, Zeph is more likely to offer Coldlight Seer.

If you can create a game state where Zeph simply doesn’t offer ooze, you will be treated to a beautiful sight. Sex is great and all but a baffled opponent slowly mousing over each discover option before emoting and conceding is arguably the best feeling in the world.
Tactic 3: Fuck it.
Go balls to the wall and play like they don’t have Zeph. Throw all of your buffs on the weapon and come to terms with the fact that if they have him, you will lose. I will sometimes opt for this strategy if any of the following conditions are met.

1. At least two Beneath the Grounds Ambushes are still in the deck.
2. I have tried to bait Zeph and my opponent didn’t play him.
3. My opponent has played Lorekeeper Polkelt.
4. My opponent has very few cards or is topdecking.
5. If I don’t commit to the weapon now, I will definitely lose.

Zephyrs The Great is going to lose you a fair amount of games. But if you can pull off any of these strategies, you might sneak by him with some wins.
Matchups:
Odd Demon Hunter:
This deck is weird. The best builds seem to be made up of a glut of the best-statted one-cost minions, Stiltsteppers, Acrobatics, Leeroy, and Baku. Our early game generally lines up well against these minions, and Odd DH generally lacks the burst to power through our healing once Cutlass gets to a threatening size. However, if we don’t draw into our early answers or fail to burgle fairly well, Odd DH is a phenomenally consistent deck and will always run us over if they get any room to do so. Even matchup.
Soul DH:
This deck seemed to be mostly piloted by standard players trying to climb in Wild. The burst of a Soul DH that hits all of its pieces can be impressive. But these combos often come online late enough that our cutlass is healing us for 8+ health every turn. Find something to deal with a full Soulciologist board, look to burgle taunts and freezes to stop the huge attacks from going face, and you’re cruising. Favored matchup.
Aggro Druid:
By cutting Fan of Knives I was essentially conceding the matchup if the Druid drew well. This has held true - if Aggro Druid has an explosive opener, you will lose the game. If they don’t, the deck is fairly easy to run out of resources. Voracious Readers can refill once or twice, but if I’m not dead by turn four I can frequently use removals efficiently and prevent them from ever building a threatening board. A card that deserves special mention is Bloodsail Corsair. If you’re careless against Aggro Druid and leave your weapon at one durability, a well-timed Corsair can snipe it and lose you the game on the spot. Unfavored matchup.
Combo/Maly Druid:
They can’t really do anything about us loading our weapon up and killing them. I only faced a couple of druids that weren’t aggressive and none of them put up much of a fight. Favored matchup, not much to say here.
Hunter:
I think I faced fewer than five hunters my entire climb, and they were all hyper aggro or janky deathrattle decks. We can generally prevent aggro Hunter from building a board, and their hero powers, Kill Commands, and such generally aren’t enough burst to beat through our healing. Deathrattle Hunter with plenty of taunts could potentially be a problem but it’s rezzes are much slower than Big Priest and it gets arguably even more destroyed by a well-timed Sap or Vanish. It’s a good idea to play around Zephyrs in this matchup until you know you’re not facing a Reno Hunter. I honestly didn’t find enough hunters to even say what might be favorable or not. Poor Rexxar.
Quest Mage:
Quest Mage is an annoying matchup for one reason and one reason only. They can generate a lot of freezes, which keep us from swinging our weapon for a turn. The amount of Freezing Potions, Ice Lances, and Frostbolts that seem to come out of Evocation, Magic Trick, and Mana Cyclone makes me want to tear my hair out. Our healing is rarely relevant against the OTK potential this deck brings. Otherwise, save Vendetta or another removal for your opponent’s Flamewankers and bring them down to low health as quickly as possible. Quick note on this matchup - Hitting your opponent in the face for lethal damage while they have Ice Block active will NOT heal you for any health. This interaction is consistent with other Lifesteal effects but still annoying and you will sometimes have to choose between setting off Ice Block and healing for 12. Even matchup.
Secret Mage:
I think before this expansion, Secret Mage would’ve been a much worse matchup for us. The switch to Rigged Faire Game as a main draw engine has a serious downside against a deck that is able to hit your face with an infinite weapon every turn. I won a significant amount of games by chipping away at my opponent every turn and denying them the all-important three cards. Play around Counterspell and Explosive Runes whenever possible as most decks run two copies and cheat them early. If we can get our weapon big enough, or run them out of face damage, we can safely heal out of the deck’s damage range. However, a Secret Mage firing on all cylinders is one of the best decks in the game and will win with a combination of well-statted minions, free secrets, and burn. Slightly unfavorable matchup.
Odd Paladin:
We struggle the most against decks that can build wide boards without committing many resources. Odd Pally is the unquestioned king of this strategy and thus tailor-made to bork us. I was able to win against this deck a couple of times when they filled up their board with 1/1’s and had no way to buff them, which was funny but not a particularly consistent win-con. Play around Oh My Yogg and Never Surrender, try to burgle AoEs, and accept that this is probably a 20-80 matchup or worse for us. Very heavily unfavored, and the bogeyman of climbing ladder with this deck.
Not Odd Paladin:
I ran into a couple of Even Paladins here and there which seemed like Odd Pally but slightly worse, a few Pure Paladins which got defeated by timely saps, and a single Mech Paladin who blew me out on turn four. They were so drowned out by the sea of Odd Pally however that I can’t write about them in extreme detail.
Reno Priest:
Beneath The Grounds carries another matchup. If they are able to get Raza and Anduin online, your main priority becomes keeping Anduin’s health below half to ward off Spawn of Shadows burst turns. As long as you can do that, we can mostly heal through their turns of chip damage with the hero power and eventually beat them down. Developing any minions we can will help with this plan because the low-health Anduin will be forced to waste hero powers clearing the minions, buying us more time. Favored matchup.
Big Priest:
Sometimes when you’re playing against Big Priest, they cheat out a Vargoth and a Blood of Ghuun on turn 4 and you just lose. Sometimes, they do nothing for nine turns and you win. It’s the matches in between these extremes that we focus on. Keep your Saps and plan your Vanish turn wisely. Most Big Priests nowadays don’t run Obsidian Statue, but place the highest priority on sapping it if they do. The combination of lifesteal and taunt means that we essentially lose the game if it ends up in the rez pool. Even or slightly favored matchup.
Rogues:
I faced a hodgepodge of Rogue decks, none of which really felt like a complete list. Combo-style rogues lack taunts and healing and get subsequently demolished by our weapon before they can do anything interesting. Kingsbane Rogue does what we do, but slower and without Lifesteal on every turn. VS says Odd Rogue is a decent deck, but I only saw one on my climb which wasn’t able to do enough damage to burst through the Cutlass healing. Mill Rogue is cute but terrible. I also ran into another Burgle Rogue but he was playing a version with Blink Foxes and Hallucinations which performs very poorly against other rogues. Favored matchup against the entire class I suppose?
Even Shaman:
I barely faced any of these on my climb, but I think I lost every time I did. We can’t really clean up their wide and efficient boards, and Sea Giant and Thing From Below aren’t bothered by Sap. Unfavored matchup.
Big Shaman:
Sap is phenomenal in this matchup. Like any Big deck, there will be some games where you don’t draw what you need and get blown out on turn four. But much more often, you’ll find games where the deck puts out a big threat, it gets sapped, and they sputter for a couple turns while you make a giant weapon and start whacking them. Try to avoid playing minions in the mid-late game while pushing for lethal because Walking Fountain or Tidal Wave will allow them to find critical heals. Favored matchup.
Aggro Warlock (Pain/Zoo/Discolock):
We like this matchup because if your opponents lower their health total quickly enough, we can often start to threaten lethal with our weapon as soon as turn six. Our cheap and flexible removal generally lets us get priority targets like Darkglare, Malchezar’s Imp and Tiny Knight of Evil off the field before they kill us. Discolock doesn’t have the consistent board floods of the decks that really fuck us and Fence and Vendetta line up well against their threats. But at the end of the day, they are an aggro deck and will win if we whiff our draws at all. I faced few Pain and Zoolocks, but Discolock was one of my favorite matchups to play with this list and I felt like it was at worst even and potentially even slightly us-favored.
Cubelock:
A problem matchup. We simply aren’t able to kill waves of big demons. Vanish and Sap let us delay the threats but once we run out of stalling power Voidlord very effectively prevents us from swinging our weapon to face. Fortunately, Cubelock has an abysmal matchup against Priest and has thus fallen a bit out of the meta. I only saw a few on my climb, but if they start cheating Voidlords before we have them to sub-15 health, we are in huge trouble. Slightly unfavored matchup.
Renolock:
We stan Beneath The Grounds. Renolocks will generally play defensively and take damage fairly freely in the early game. Generally don’t play BTG on turn three because renolocks draw so much that they’re fairly likely to hit at least two ambushes if you give them enough time. If I have it in hand, I’ll hold it until I start buffing my weapon or until they’re sub fifteen health and might be feeling pressured enough to use Reno. If you don’t find BTG, follow the Zeph Rules and pray to God that you draw it quickly. Tickatus is rarely particularly relevant because if they find the time to corrupt and play it multiple times the game was lost a long time ago. Renolock will often have big taunt Demons also, but they come in more manageable waves than Cubelock. With BTG, this is a favored matchup.
Odd/Control Warrior:
This matchup is pretty simple. Make your weapon as big as possible as quickly as possible in order to chip through their armor. If they run weapon hate and are able to draw it, you will lose. If they don’t, you will eventually win - they don’t have much to stop you smacking them for 10+ damage every turn. I only ran into three of these decks on my climb and got Stickyfingered twice, so my gut says that it’s unfavorable.
Pirate Warrior:
Oh how the mighty have fallen. Pirate Warrior simply feels weaker than other aggro decks and its lack of boardwide buffs makes its minions much less threatening. Their highrolls are as scary as ever, but kill Ship’s Cannon and Skybarge on sight and be wary of burst coming in the form of Leeroy or Kragg, and the healing from your built-up weapon will generally outpace their damage. Their biggest strength (efficient trading with minion boards) isn’t particularly relevant against us. Slightly favored - one of our best aggro matchups. Beware of Bloodsail Corsair!
My Favorite Wins:
Playing a deck that runs on adding random cards to your hand will occasionally lead to hilarious victories with cards your opponent never expected to need to play around. There were too many to write about, but here were some highlights.

1. I played a Hunter and hit a terrible Dragon’s Hoard on turn one where my best option was a Knuckles. I reluctantly picked it and it sat in my hand until later in the game, where I pulled Houndmasters off both of my Swashburglars. Three houndmaster buffs (one got returned to my hand via Freezing Trap) and a Tinker’s Sharpsword Oil later, I beat my opponent into submission with an unkillable 12/13 Knuckles. I find it possible that it’s the only time Knuckles has actually won someone a game.
2. I found a Cloning Device off of a Clever Disguise and yoinked my Shaman opponent’s Shudderwock, followed by two Dragon’s Hoards that gave me Dinotamer Brann and a second Shudderwock. I waited until my deck was low enough that no duplicates remained, and played Brann, Shudderwock, second Shudderwock, and thwacked him with four large stompy dinos over three turns.
3. I burgled a Totem Goliath off Swashburglar, Totemic Might off Clever Disguise, and a Grand Totem Eys’or from Dragon’s Hoard. My poor Shaman opponent was beaten to death by a rogue’s board of basic totems.
4. While playing a Big Priest I got a Lucentbark off Dragon’s Hoard and a Seance and Power Word: Replicate off Clever Disguise. Turns out three 4/8 taunts that resurrect every turn will win you the game, even against Big Priest with a full rez pool.
5. A Pirate Warrior wrested board from me, beat me to two health with two cards in hand and one durability on my weapon, and began emoting aggressively. Fortunately, one of those two cards was an Inara Stormcrash which allowed me to deal 26 damage (and kill him) on turn 8.

This deck is by far the most fun I’ve ever had playing Hearthstone, and this list is viable at Legend ranks. I encourage everyone to give it a try. Thanks for making it to the end and please comment with questions!
Happy thieving!

I made this post some time ago on the LowSodium Reddit: events have caused me to update and streamline some parts, while filling out others. This game has more layers than your average onion!
ACT 1:
"You don't wanna know what's out there, trust me on this." - Constantine
"and choom, no f**** netrunning. They got better runners than you, you won't haze em."
A random datapad from Westbrook criminal activity makes an excellent point: elite Arasaka domains like Kanpeki Tower should be crawling with netrunners, particularly if a member of the Arasaka family is residing there. Do we really believe a Flathead drone and T-Bug can subvert all that security? When Jackie decides to lie to a receptionist about an easily checked fact, and seriously expects her to not notify a major Arasaka rep about the arrival of his clients, T-Bug interjects and pretends that she's the rep's assistant if V doesn't fix the situation. At this point, the Flathead hasn't been used- why isn't the tower's netrunner picking up this intrusion? This isn't just a supposition based on my owncorporate experience: if you go into the restaurant in the hotel, Hajime Taki is right there, laying into a foreign cabinet minister and promising to drop his shipment from space if his clients can't get around an embargo. At which point he demands to see the "Militech bastards," because he hates delays. Put simply, this is not a man who will twiddle his thumbs for hours while you and Jackie dismantle the security systems. Meanwhile, when the Flathead drone is used to neutralize the netrunner in the plaza, the screen switches from lines of code to the T-Bug logo. If security was monitoring the cameras, with eyeballs or automation, they'd instantly catch this breach. T-Bug's sudden nervous proclamation that she needs two hours for additional work on the corporate ICE makes a lot more sense if you imagine that someone put a virtual gun to her head and ordered her to stall you.
By now, most players realize that Dex couldn't organize an orgy at Lizzie's. And Evelyn Parker was NOT hired by the Voodoo Boys to steal the Relic. The later braindances Judy analyzes show that the Voodoo Boys had zero intention of getting Evelyn to do anything with the biochip, just make a virtu of Yorinobu's suite. Evelyn's cunning in that regard makes her a prime target for the VDB to kill the minute she's fulfilled her purpose. But the second braindance is even more interesting. A male VDB (probably Placide) had suspected Evelyn's intelligence, but Brigitte thinks she wouldn't dare go against them, while they badly needed the connection to Yorinobu. Evelyn wants the chip for herself so that she can escape her awful life. She is not, however, the one with the power to actually make the heist happen. Certainly not someone who can manipulate Yorinobu into stealing an Arasaka prototype from his father.
Are Brigitte and the Voodoo Boys the critical part of the heist? Getting warmer, and server16ark comes up with a very good explanation of how the Voodoo Boys are the driving force behind much of the plot, from Evelyn Parker's "suicide" to the reason Silverhand was chosen as the Relic's engram, but it's not the best answer possible.
(https://www.reddit.com/cyberpunkgame/comments/jzutmy/dex_brigitte_johnny_and_yorinobu/)
The only question left is... WHY does Brigitte believe that the Relic would contain a useful soul in this regard, much less the soul of Johnny Silverhand? Why is Brigitte so confident that someone inside Arasaka can deliver Silverhand at all? How on earth could the VDB persuade Arasaka to agree to such a scheme? The Voodoo Boys need little from Arasaka, and Arasaka needs even less from the Pacifica netrunner gang. As Mr. Hands explains before we even meet the Boys, which is reinforced by every interaction with them, they are incredibly disdainful of outsiders. They laugh at credits, butcher actual chickens for real meat in Haitian tradition in defiance of the Avian Extermination Act, and make their own netrunning equipment to avoid corporate sabotage. So why would Arasaka take a relatively junior role in a plot from the VDB?
But turn the tables. If a saboteur within Arasaka itself is offering a Silverhand engram that can lead the Voodoo Boys to Alt Cunningham and the Blackwall, they'll do anything needed to secure that power. The saboteur could even have been the one to explain what Alt Cunningham was, and why Silverhand is likely to bridge the gap between man and AI. The VDB likely didn't hack this information from the Arasaka systems, it was given to them. By who, you ask? Well-
ACT 2:
"A man of focus, commitment, sheer will. Something you know very little about." - John Wick
"Simulated disorder postulates perfect discipline, simulated fear postulates courage; simulated weakness postulates strength." - Sun Tzu
"Would you like to join my gang?" Jackie scoffs, imagining that Yorinobu had Arasaka security backing his nomad gang- the Steel Dragons. As the player themselves learns, that's NOT how nomad society operates, at all. They respect loyalty, hard work, and talent. The kind of person who could lead a successful nomad gang, much less avoid complete annihilation at the hands of Arasaka, would at minimum need to have iron resolve and incredible skill- much like Panam Palmer. To escape accusations of being a corporate pawn, Yorinobu would need to be even more skilled than that. Plus Dex thinks Yorinobu is a million-eddy name with no talent to back it up... and Dex is wrong about most things.
As we see in the datashard "Tamed Dragon," Yorinobu grew up quite normally until his 21st birthday, when Saboru Arasaka took him aside for a private conversation. Now, anyone familiar with Saboru Arasaka would know that he's a deeply unpleasant person despite his incredible business skill, unlimited resources, and utterly commanding voice. He's an unreconstructed Japanese militarist who hates America for defeating the Empire in WWII. In short, he's morally worse than most neo-Nazis. The general lore is that Yorinobu was shocked to his core to learn of the true purpose of the Arasaka corporation and family. If you recover the datashard from Saburo's car (https://imgur.com/a/L1O53YT) you realize that he still hates Militech, and would happily have razed one of their fortresses to rubble in retaliation for old slights. Even before Project Soulkiller, Yorinobu has a real reason to detest his family and the fact they are making the world a far worse place. Incidentally, even the maids in Konpeki Plaza are attracted to him- not just for his wealth, but for the fact he's a biker at heart, relentlessly single. Evelyn thinks that she's in control of their relationship, but she's almost certainly wrong.
So knowing that Yorinobu has the kind of moral purpose and determination to turn against the Arasaka family and work towards their downfall, we can analyze the odd factors in the Arasaka heist in a new light. Starting with Evelyn Parker: you start to wonder why Yorinobu wouldn't realize that Evelyn remembers things from their previous sessions, like the drugs they did together. The answer would be that Yorinobu wants Evelyn to remember the things she sees in his suite. The layout is what the Voodoo Boys claim to be interested in, but during the braindance Evelyn goes through Yorinobu's mail while adjusting the lighting and music. If she did so, and the VDB analyzed a copy of the virtu, all parties involved would realize that Yorinobu was dealing with Netwatch for a copy of the engram- and that Netwatch manager Ronald Cheever was perplexed that Yorinobu insisted that the engram be Johnny Silverhand's. I surmise this explanation:
I) Make Saburo enraged enough to cross the sea and confront Yorinobu personally over his treachery with the hated West, setting up an assassination that Yorinobu has been planning for decades. Which would not have been possible to implement in Tokyo.
II) Put Mama Brigitte into meltdown as she sees her chance of contact with Alt Cunningham slip through her fingers.
III) Make Netwatch likely to turn over any information about a stolen Relic straight to Yorinobu.
IV) Guarantee Silverhand's resurrection if the theft goes sideways and some idiot ends up slotting the Relic into their brain.
And all from a glimpse of an email in a doll's braindance if the information is leaked. This many avenues for victory indicate a brilliant tactical and strategic genius, able to bend lesser men to their will and manipulate even the most powerful people around them. Especially their father, who is otherwise indomitable. This also explains why Evelyn insists that she knows NetWatch wanted Johnny Silverhand on the Relic, while a bewildered Agent Brie Deal is trying to assess what Evelyn actually knows and how trustworthy she is. Why did this happen? It took me some time to realize that Evelyn overheard a conversation between Yorinobu Arasaka and Brigitte, read Yorinobu's mail, and wrongly concluded that Yorinobu was actually talking with Netwatch! If she hadn't recorded the conversation for braindance, she wouldn't have been able to figure out the truth herself.
In reality, Yorinobu's primary deal is with the Voodoo Boys. I'm sure he pretended to be pretending that he was "Yorinobu Arasaka," and Brigitte rolled her eyes before telling him to get bent. But then "Yorinobu" gives the VDB enough information to realize that the Relic is absolutely priceless to their dreams of being loyal servants to the machine AIs beyond the Blackwall. In exchange, what can they give him in return? The fact is, Yorinobu would happily give the chip away just to frustrate Saburo's ambitions and attract the AIs to destroy Arasaka- as they do in most endings of the game. But he can instead command an exorbitant price from netrunners so elite they can even keep the NCPD from their territory. They'd be excellent at assisting Yorinobu's worldwide coup against Arasaka- and providing him with relatively reliable security until the deal is concluded. Certainly more so than netrunners who may report back to his father instead.
Now that Netwatch and the VDB, each the premier netrunner groups in Night City, are both nominally on his side and against the Arasaka "loyalists," the Dragon can spring into action. Yorinobu managed to retrieve a copy of the Relic and download Silverhand's engram to it from Mikoshi. Anders Hellman realized what was happening and furiously confronted Yorinobu over it. Reporting the theft to Saburo, as detailed in Saburo's datashard, was rewarded with rare gratitude from the old man for loyalty above and beyond the expected. It's also why Hellman fled when Yorinobu took over the company, correctly realizing that he would face retribution. As leader of the company, Yorinobu proceeds to start a war with all of Arasaka's "enemies." Militech is immediately engaged in what promises to be a new Corporate War- not only does Yorinobu have a useful target to blame for the death of his father, but now he can use Militech to destroy Arasaka. You can run a mission where you learn of one such false flag operation. Your fixer is so alarmed that he pulls the plug on the gig. Anyone truly loyal to Saburo is pushed out- the opportunists and gullible flock to Yorinobu, a fact Saburo is deeply annoyed about when his engram addresses the company directors. In short, Yorinobu has successfully launched his corporate coup and quelled anyone with a serious chance of politically maneuvering against him. But he didn't count on one man.
No, not you. Takemura.

tldr: the true mastermind behind the Arasaka heist is the person the game discredits in act 1!
​
ACT 1:
​
"You don't wanna know what's out there, trust me on this." - Constantine
​
"and choom, no f**** netrunning. They got better runners than you, you won't haze em."
​
A random datapad from Westbrook criminal activity makes an excellent point: elite Arasaka domains like Kanpeki Tower should be crawling with netrunners, particularly if a member of the Arasaka family is residing there. Do we really believe a Flathead drone and T-Bug can subvert all that security? T-Bug is also very hesitant to tell you how she knows Dex. It's entirely possible that Jackie is wrong about how far back they go, and they barely know each other. When Jackie decides to lie to a receptionist about an easily checked fact, and seriously expects her to not notify a major Arasaka rep about the arrival of his clients, T-Bug interjects and pretends that she's the rep's assistant if V doesn't fix the situation. From experience in the corporate world, the odds are good that the receptionist is in daily contact with Taki-san's staff, and would know instantly if someone isn't supposed to be there. Meanwhile, when the Flathead drone is used to neutralize the netrunner in the plaza, the screen switches from lines of code to the T-Bug logo. If security was monitoring the cameras, with eyeballs or automation, they'd instantly catch this breach. T-Bug's sudden nervous proclamation that she needs two hours for additional work on the corporate ICE makes a lot more sense if you imagine that someone put a virtual gun to her head and ordered her to stall you.
​
By now, most players realize that Dex couldn't organize an orgy at Lizzie's. So who is the real mastermind behind the Relic heist at Arasaka? Evelyn Parker? Worth a guess, but no. Evelyn's braindances are key to understanding this. They show that the Voodoo Boys had zero intention of getting her to do anything with the biochip, just make a virtu of Yorinobu's suite. Evelyn's cunning in that regard makes her a prime target for the VDB to kill the minute she's fulfilled her purpose. But the second braindance is even more interesting. A male VDB (probably Placide) had suspected Evelyn's intelligence, but Brigitte thinks she wouldn't dare go against them, while they badly needed the connection to Yorinobu. Evelyn wants the chip for herself so that she can escape her awful life. She is not, however, the one with the power to actually make the heist happen. Yet even V knows that Evelyn had way better options if she wanted to escape the wrath of Arasaka- especially considering Clouds was Tyger owned, which Johnny connects back to Arasaka during your visit there. Evelyn put her head in the dragon's mouth to protect the people she loves back at the Mox, especially Judy.
​
Are Brigitte and the Voodoo Boys the critical part of the heist? Getting warmer, and server16ark comes up with a very good explanation of how the Voodoo Boys are the driving force behind much of the plot, from Evelyn Parker's "suicide" to the reason Silverhand was chosen as the Relic's engram, but it's not the best answer possible.
​
(https://www.reddit.com/cyberpunkgame/comments/jzutmy/dex_brigitte_johnny_and_yorinobu/)
​
The only question left is... WHY does Brigitte believe that the Relic would contain a useful soul in this regard, much less the soul of Johnny Silverhand? Why is Brigitte so confident that someone inside Arasaka can deliver Silverhand at all? How on earth could the VDB persuade Arasaka to agree to such a scheme? The Voodoo Boys need little from Arasaka, and Arasaka needs even less from the Pacifica netrunner gang. As Mr. Hands explains before we even meet the Boys, which is reinforced by every interaction with them, they are incredibly disdainful of outsiders. They laugh at credits, butcher actual chickens for real meat in Haitian tradition in defiance of the Avian Extermination Act, and make their own netrunning equipment to avoid corporate sabotage. So why would Arasaka take a relatively junior role in a plot from the VDB?
​
But turn the tables. If a saboteur within Arasaka itself is offering a Silverhand engram that can lead the Voodoo Boys to Alt Cunningham and the Blackwall, they'll do anything needed to secure that power. The saboteur could even have been the one to explain what Alt Cunningham was, and why Silverhand is likely to bridge the gap between man and AI. The VDB likely didn't hack this information from the Arasaka systems, it was given to them. By who, you ask? Well-
​
ACT 2:
​
"A man of focus, commitment, sheer will. Something you know very little about." - John Wick
​
"Simulated disorder postulates perfect discipline, simulated fear postulates courage; simulated weakness postulates strength." - Sun Tzu
​
"Would you like to join my gang?" Jackie scoffs, imagining that Yorinobu had Arasaka security backing his nomad gang- the Steel Dragons. As the player themselves learns, that's NOT how nomad society operates, at all. They respect loyalty, hard work, and talent. The kind of person who could lead a successful nomad gang, much less avoid complete annihilation at the hands of Arasaka, would at minimum need to have iron resolve and incredible skill- much like Panam Palmer. To escape accusations of being a corporate pawn, Yorinobu would need to be even more skilled than that. As we see in the datashard "Tamed Dragon," Yorinobu grew up quite normally until his 21st birthday, when Saboru Arasaka took him aside for a private conversation. Now, anyone familiar with Saboru Arasaka would know that he's a deeply unpleasant person despite his incredible business skill, unlimited resources, and utterly commanding voice. He's an unreconstructed Japanese militarist who hates America for defeating the Empire in WWII. In short, he's morally worse than most neo-Nazis. The general lore is that Yorinobu was shocked to his core to learn of the true purpose of the Arasaka corporation and family. If you recover the datashard from Saburo's car (https://imgur.com/a/L1O53YT) you realize that he still hates Militech, and would happily have razed one of their fortresses to rubble in retaliation for old slights. Even before Project Soulkiller, Yorinobu has a real reason to detest his family and the fact they are making the world a far worse place. Even the maids in Konpeki Plaza are attracted to him- not just for his wealth, but for the fact he's a biker at heart, relentlessly single. Evelyn thinks that she's in control of their relationship, but she's almost certainly wrong.
​
So knowing that Yorinobu has the kind of moral purpose and determination to turn against the Arasaka family and work towards their downfall, we can analyze the odd factors in the Arasaka heist in a new light. Starting with Evelyn Parker: you start to wonder why Yorinobu wouldn't realize that Evelyn remembers things from their previous sessions, like the drugs they did together. The answer would be that Yorinobu wants Evelyn to remember the things she sees in his suite. The layout is what the Voodoo Boys claim to be interested in, but during the braindance Evelyn goes through Yorinobu's mail while adjusting the lighting and music. If she did so, and the VDB analyzed a copy of the virtu, all parties involved would realize that Yorinobu was dealing with Netwatch for a copy of the engram- and that Netwatch manager Ronald Cheever was perplexed that Yorinobu insisted that the engram be Johnny Silverhand's. I surmise this explanation:
​
I) Make Saburo enraged enough to cross the sea and confront Yorinobu personally over his treachery with the hated West, setting up an assassination that Yorinobu has been planning for decades.
II) Put Mama Brigitte into meltdown as she sees her chance of contact with Alt Cunningham slip through her fingers.
III) Make Netwatch likely to turn over any information about a stolen Relic straight to Yorinobu.
IV) Guarantee Silverhand's resurrection if the theft goes sideways and some idiot ends up slotting the Relic into their brain.
​
And all from a glimpse of an email in a doll's braindance if the information is leaked. This many avenues for victory indicate a brilliant tactical and strategic genius, able to bend lesser men to their will and manipulate even the most powerful people around them. Especially their father, who is otherwise indomitable. In reality, Yorinobu's primary deal is with the Voodoo Boys. I'm sure he pretended to be pretending that he was "Yorinobu Arasaka," and Brigitte rolled her eyes before telling him to get bent. But then "Yorinobu" gives the VDB enough information to realize that the Relic is absolutely priceless to their dreams of being loyal servants to the machine AIs beyond the Blackwall. In exchange, what can they give him in return? The fact is, Yorinobu would happily give the chip away just to frustrate Saburo's ambitions and attract the AIs to destroy Arasaka- as they do in most endings of the game. But he can instead command an exorbitant price:
​
I) The VDBs will be expected to arrange the motley team of Dex, Evelyn Parker, and whatever expendable gonks that will take the fall. In short, people who won't be missed.
II) Poke holes in the power grid- this is brought up by Stan in the opening credits, and the VDB could use this to wage war against Arasaka. Which they would ordinarily avoid, except in the context of gaining the Relic.
III) Silence anyone who knows about the Arasaka theft- not something the VDB are tasked with, but something they'll do to avoid blowback. Which is why they go out of their way to destroy Evelyn.
​
Now that Netwatch and the VDB, each the premier netrunner groups in Night City, are both nominally on his side and against the Arasaka "loyalists," the Dragon can spring into action. Yorinobu managed to retrieve a copy of the Relic and download Silverhand's engram to it from Mikoshi. Anders Hellman realized what was happening and furiously confronted Yorinobu over it. Reporting the theft to Saburo, as detailed in Saburo's datashard, was rewarded with rare gratitude from the old man for loyalty above and beyond the expected. It's also why Hellman fled when Yorinobu took over the company, correctly realizing that he would face retribution. As leader of the company, Yorinobu proceeds to start a war with all of Arasaka's "enemies." Militech is immediately engaged in what promises to be a new Corporate War- not only does Yorinobu have a useful target to blame for the death of his father, but now he can use Militech to destroy Arasaka much as he is using the Voodoo Boys. Anyone who would rather serve his father is pushed out- the opportunists and gullible flock to Yorinobu, a fact Saburo is deeply annoyed about when his engram addresses the company directors. In short, Yorinobu has successfully launched his corporate coup and quelled anyone with a serious chance of politically maneuvering against him. But he didn't count on one man.
​
No, not you. Takemura.
​
(PART 2 COMING SOON!)
PS: I also successfully called Celebrimbor being evil in Shadow of Mordor before the final DLC was released, much less the second game which confirmed the theory, so I'm feeling pretty good about this one.

Introduction
We're all familiar with the Hotline Miami's, Hollow Knight's, and Celeste's of the world. These are some of the indie games that hit the big time. Of course, for every one of these games, there's 100 other indie games that have been glossed over, relegated to a spot in a digital store few people will ever find themselves in. I wanted to bring attention to some of these lesser known indie games.
I'm going to order them according to Metacritic Critic Ratings. Some of the games towards the bottom have a pretty low rating that I personally disagree with, but it's only fair that you hear from more than just me. While the reviews are low for some games, this is partly due to how few reviews there are for some games. #19 on the list has a 49% for the Xbox One version of the game due to it only having two reviews, while the PlayStation 4 version has a 90% rating due to it only having one review, despite both versions being functionally the same. This high level of variance usually occurs when a game only has a few reviews.
Price will include a link to the U.S. store page of the game. Price is in U.S. dollars.
1. Inertial Drift

• Includes a Separate 2 Player Local Competitive/Versus Multiplayer Mode
  
• Price: $19.99
  
• Picture: Link
  
• Trailer: Link
  
• Genre: Racing
  
• Metacritic: 84% from 5 Critic Reviews, 80% from 2 User Ratings
  
• Description: Inertial Drift's distinguishing characteristic is its employment of the right analog stick for drifting. This takes a little getting used to, but it feels great once you get the hang of it, creating some exhilarating moments when perfecting corner turns. The game has 10 unique tracks + 10 reversed tracks, 16 vehicles, and four separate story arcs. Each story arc is only a couple of hours long and features a different protagonist with a different vehicle. Since you’ll be racing on the same track a few times, there are a few gameplay variations that differ from just reaching the finish line at the end, such as racking up a certain number of points that are acquired through longer drift times and other means. There's quite a bit of dialogue between races, and in the races themselves characters will frequently dish out positive commentary on your performance in the form of text in the top left hand corner of the screen. The game's aesthetics are a fusion of anime and synthwave. I've heard many fans liken the game to the manga Initial D, though I'm unfamiliar with that series myself.
  
• Completion Time: ~3 Hours (for 1/4 Story Arcs)
  
• Extra Content: There are a number of different modes including a Story Mode, Challenge Mode, Grand Prix Mode, Arcade Mode, two player Split-Screen, and Online, as well as a Tutorial. Completion of challenges in Challenge Mode allows you to unlock new vehicles for the other non-Story Modes. Grand Prix Mode allows you to race using different characters/vehicles through a connected set of challenges, while Arcade Mode is for one-off races. I wouldn't recommend this game for online play as the user-base is pretty small (hence it being overlooked) and you're unlikely to find a match. Getting all the achievements is fairly difficult.
  

2. Cursed Castilla (Maldita Castilla EX)

• Price: $11.99
  
• Trailer: Link
  
• Genre: 2D Action Platformer
  
• Metacritic: 81% from 12 Critic Reviews, 78% from 33 User Ratings
  
• Description: This is an action platformer that emulates arcade games from the latter half of the 1980s, but it is probably most reminiscent of Super Ghouls 'n Ghosts. The creator, Locomalito, states that the soundtrack uses the true arcade sound of the YM2203 chip. The game is hard, but the checkpoints are never more than a minute or two apart, and the lives' system/continue system has no penalties outside of locking you out of achievements. This is a very boss dense game - in the ~4 hour run-time it takes to complete the game, you fight 19 bosses. The handful of weapons and items you pick up helps lend variety to the combat, and no two boss fights feel the same.
  
• Completion Time: ~4 Hours
  
• Extra Content: The game has two endings. Most players will get the bad ending the first time around and be locked out of the final stage (which is the longest stage in the game). You do have to play through the game again to get the good ending, but you'll likely do it in half the time. If you want to see all the major content on your first go around, I recommend looking up how to get the good ending before you play the game. If you do achieve the good ending on your first playthrough, the completion time is probably closer to six hours. As far as achievements are concerned, 100% completion is very difficult to obtain. If you like an extreme challenge, this one's for you.
  

3. Valfaris

• Price: $24.99
  
• Trailer: Link
  
• Genre: Run & Gun
  
• Metacritic: 80% from 8 Critic Reviews, 79% from 9 User Ratings
  
• Description: Valfaris acts as a continuation of Slain - the developer's previous work - but it’s not necessary to play Slain first to understand the story of Valfaris. While Slain was mostly just a slightly above average action platformer, Valfaris is one of the best run & gun games I've ever played. You play as Prince Therion who returns to his home planet of Valfaris on a quest to kill his father. It's themed around a fictional planet and has a gross alien vibe coupled with heavy metal music. The music doesn't override the other audio in the game, and it does a nice job of upping the ante when you're fighting a boss – of which there are many. You're equipped with a primary gun, a more powerful mana-based gun, a sword, and a shield that can block with mana or parry.
  
• Description Continued: There are a number of weapons to acquire throughout the game, and the guns in particular do a great job of feeling different. You’re able to upgrade your weapons with Blood Metals. Some Blood Metals are found in plain sight, others are rewarded for defeating a tough enemy, and some are given for going off the beaten path. These upgrades typically just up the firepower but will sometimes introduce a secondary move to your weapon. There are checkpoints every two minutes or so, and most bosses will have a checkpoint just before them (only the weaker bosses come after a gauntlet of enemies). The game is a little hard at points, but overall it strikes a nice balance of feeling accomplished for overcoming the challenges without getting overly frustrating.
  
• Completion Time: ~8 Hours
  
• Extra Content: There are a few secrets to find throughout the game that are off the beaten path, though I was able to find 2/3 of them on my first playthrough. I found all but one weapon as well. The replayability comes from New Game+, which allows you to take all your upgraded weapons into a harder version of the game. Since the weapons all function a bit differently, this can be lots of fun. There are also some achievements that test your skills further, like finishing the game in two hours or beating the game with 10 or less deaths.
  

4. Pumpkin Jack

• Price: $29.99
  
• Picture: Link
  
• Trailer: Link
  
• Genre: 3D Action Platformer
  
• Metacritic: 80% from 8 Critic Reviews, 60% from 10 User Ratings
  
• Description: This is a 3D platformer that reportedly takes inspiration from both MediEvil and Jak & Daxter: The Precursor Legacy. There’s about equal amounts of platforming and combat in this game. While the combat is relatively simple, you’re given a variety of weapons that all feel unique. The levels have a good amount of variety within them – you’ll jump between ships on a ferry ride, ride an undead horse through the sky, play a few mini games as a headless Jack, and fight a boss at the end of each of the six levels. Both the combat and platforming are relatively easy – platforms are typically large and Jack has an edge grab that helps tremendously, and smashing the many destructible objects around the levels increases your health. This game takes the linear adventure approach, with a number of collectibles sprinkled throughout the levels: crow skulls, presents, and gramophones. Some areas are more open and allow you to choose the order in which you do certain tasks. The game has a decent amount of dialogue in it, which does an effective job of giving some character to Jack, his two animal companions, and the rest of the cast. The visuals and soundtrack are particularly great, especially if you’re into Halloween themed media.
  
• Completion Time: ~4 Hours
  
• Extra Content: There’s collectibles to back for – I got about 2/3 of the collectibles on my first playthrough – skins to unlock – which are purchased with the collectibles you find in the levels – and you get to start a second playthrough with all the weapons already unlocked at the beginning
  

5. Pato Box

• Price: $14.99
  
• Picture: Link
  
• Trailer: Link
  
• Genre: Punch-Out-like 3D Action Adventure
  
• Metacritic: 80% from 1 Critic Review, 80% from 1 User Rating
  
• Description: Pato Box follows an anthropomorphic duck boxer on an adventure through a stylistic noir comic book world. “Pato” is a Spanish word that translates to “Duck” in English (the game was developed by a Mexican studio). The boss fights are heavily inspired by Punch-Out’s gameplay, but there are levels outside of these fights to help differentiate it. Most of the levels can be selected in any order you choose and typically serve as a leadup to the boss fight. Bosses are usually introduced by a cutscene followed by some dialogue taunting Pato Box. The levels play entirely differently from the fights, but the themes of the level match those of the bosses. The levels will employ various elements of evasion, stealth, exploration, and a few time-based mini-games. The casino level, for example, will have you walk around the casino looking for chips and punching the slot machines to earn enough to pay entrance to the fight, while the food factory has you evading stompers, sawblades, and butcher knives as you work your way through the level.
  
• Description Continued: There are variety of things to find throughout the levels: tokens for decorations in Pato Box’s room, backstory on the boss of the level and the world, and tips on how to win the upcoming fight. The fights themselves lock Pato Box in the middle of the screen, allowing you to block, juke left or right, and perform a low or high jab to the left or right. Bosses are dynamic and have a number of different phases to fight through. The game foregoes a HUD in favor of a visual representation of your health via scars on your body, which I thought was a nice touch. While the levels and bosses play pretty differently from each other, they’re weaved together by a dark and intriguing story that follows Pato Box’s quest for retribution against an evil corporation.
  
• Completion Time: ~7 Hours
  
• Extra Content: There’s an Arcade Mode that lets you replay boss fights and some collectibles to find in the main campaign. The achievements are very difficult, and many ask you to beat a boss without taking a single hit.
  

6. Ultra Hat Dimension

• Price: $4.99
  
• Picture: Link
  
• Trailer: Link
  
• Genre: 2D Level-based Puzzle Game
  
• Metacritic: 80% from 1 Critic Review, 60% from 1 User Rating
  
• Description: Ultra Hat Dimension follows Bea through a series of rooms in a palace on a quest to undo the magical spell that has made the mythical Spluff creatures want to attack one another. There is a little bit of backstory via one sentence thoughts from Bea in between levels, but nothing major here. The gameplay revolves equipping four different types of hats and using them to evade or push Spluffs around to retrieve the key and reach the door. Each Spluff dons one of four different hats which effects their behavior towards other Spluffs and you. You will be punched one tile back by every Spluff unless you’re wearing the same hat as the Spluff. Spluffs interact with one another differently depending on what hat they’re wearing in a rock, paper, scissors kind of way – they may punch a Spluff back one space, get into a scuffle that allows you to get close to them without wearing a hat, or they may temporarily disable them in a way that allows you to access the space the Spluff consumes within eight moves. There are undo and reset buttons included that allow you to quickly rewind mistakes. There are some clever puzzles accompanied by catchy tunes and a charming pixel art aesthetic. The difficulty is about average.
  
• Completion Time: ~3 Hours
  
• Extra Content: Since this is published by Ratalaika Games, getting all the achievements can be obtained after only clearing 2/3 of the levels. There are a few custom maps on the PC version of the game but no additional content on consoles.
  

7. Momodora: Reverie Under the Moonlight

• Price: $9.99
  
• Trailer: Link
  
• Genre: Metroidvania
  
• Metacritic: 77% from 6 Critic Reviews, 72% from 15 User Ratings
  
• Description: Usually with Metroidvanias, I expect a long, difficult game that's difficult to navigate. Momodora: Reverie Under the Moonlight is a counter to those ideas while still maintaining the exploratory nature of the sub-genre. The plot is pretty simple and doesn't feature a ton of story, but there are a few NPCs you talk to throughout your quest. The combat is also fairly simple, but the boss fights you engage in are all great. Without much weapon customization, it's stripped to the basics of dodging enemy attacks while trying to get a hit in. It makes for a game that's easy to get into and instantly start enjoying. All of the areas are visually appealing, some more than others, and each of them lasts shorter than you'd expect. The game is only around 3-5 hours, but it feels like you've played so much more in that time. Some games only really start to take off by the time this game finishes.
  
• Completion Time: ~4 Hours
  
• Extra Content: Getting 100% map completion should only take an hour or two of cleanup. I did miss an optional boss on my first playthrough. There are also items to discover, and the achievements give fun challenges to extend the life of the game. One cool thing I liked was that beating a boss without getting hit at all gives you a useful item. It also features New Game+, allowing you to carry over most of your items, making the game more difficult, and changing up enemy placement.
  

8. The Count Lucanor

• Price: $14.99
  
• Trailer: Link
  
• Genre: Top Down Adventure/Horror
  
• Metacritic: 77% from 3 Critic Reviews, 80% from 1 User Rating
  
• Description: The Count Lucanor’s story is very fairy tale-esque – more like a classic fairy tale as it can be pretty dark and grotesque at times. On his 10th birthday, Hans chooses to leave his mother in a quest for wealth. After some walking and conversation with NPCs you find along the way, you stumble upon a large mansion and find that the count of this mansion is looking to pass his wealth onto an heir who can prove himself worthy – “worthy” in this case being the one who can figure out the count’s name. From here, you are tasked with adventuring through the mansion and solving environmental puzzles in a nonlinear way to acquire the letters that spell the count’s name. There is a survival horror element to the game, as you are unable to attack the enemies in the mansion and instead must crawl under tables and find other ways around them. You can place candles around the mansion to light it up to help you better evade enemies, but your usage is limited (though you can find more).
  
• Completion Time: ~4 Hours
  
• Extra Content: There are five different endings and some puzzles/rooms you don’t even have to do. This could double your playtime – maybe even more if you don’t use a guide. You have to get all five endings and do some other miscellaneous stuff to get all achievements, but it has a relatively high completion rate.
  

9. Late Shift

• Price: $12.49
  
• Trailer: Link
  
• Genre: Interactive Film
  
• Metacritic: 72% from 16 Critic Reviews, 70% from 36 User Ratings
  
• Description: If you liked Detroit: Become Human or Until Dawn, Late Shift will be right up your alley. This game is a bit different from both those titles in that it's an FMV, with the gameplay solely consisting of the choices you make. You receive prompts at key moments in the story on what you want your character to do next, and this effects the outcome of the game. It plays more like Black Mirror's Bandersnatch, though this game came before it. The story follows an everyman who gets tangled up in London's criminal underground just as a result of being in the wrong place at the wrong time.
  
• Completion Time: ~1.5 Hour Completion Time*
  
• Extra Content: There are 180 choice points and 7 different endings. I only got 4 out of 21 of the achievements on my first playthrough. There are a number of different routes to take with the game.
  

10. Unbox: Newbie’s Adventure

• Includes a Separate 4 Player Local Competitive/Versus Multiplayer Mode
  
• Price: $29.99
  
• Picture: Link
  
• Trailer: Link
  
• Genre: 3D Collectathon Platformer
  
• Metacritic: 71% from 10 Critic Reviews, N/A from 0 User Ratings
  
• Description: Unbox takes heavy inspiration from Banjo Kazooie and other collectathons of the fifth generation but has levels far larger than any Nintendo 64 platformer. Fortunately your customizable character can cover huge amounts of ground very quickly via the unbox mechanic, which is basically a super jump you can use up to six times before you need replenishment via item pickups or checkpoints. Both the jump and unbox mechanic are tied to the shoulder buttons, which takes some getting used to but is ultimately one I’m in favor of, as it allows for camera control without removing your thumb from the jump or unbox buttons. The high speeds you can travel make for some great exploration, but the game is still able to disable your ability to unbox by giving you a “fragile” item, allowing for more carefully considered platforming sections.
  
• Description Continued: Each of the three major worlds have four major collectibles: 200 gold tape, 10 caged zippies, 18 stamps, and 1 super stamp rewarded upon defeating the boss of the world. There is also a hub world that has just 200 gold tape to collect. The 18 stamps are the jiggies or stars of the game, and they’re primarily what you’re after to advance the game. 9 of them are hidden across the world, while the other 9 are given by NPCs upon the completion of a task: Digi will ask you to take an item from point A to point B with some platforming in between, Dash will ask you to complete three races around different areas of the map, Superbox will ask you to destroy 20 enemies in X amount of time, etc. The other collectibles simply unlock more cosmetic options for your character.
  
• Completion Time: ~7 Hours
  
• Extra Content: The game only requires you collect 2/3 of the stamps to beat the game. If you want to collect all the stamps, zippies, and gold tape, this could more than double your playtime, as the worlds are massive and finding all the gold tape is a daunting task, though they do make a distinct noise when you are near them once you’ve collected half of them in a level. Your friendly companion Bounce will also give you visual clues on where to find whatever collectible you might be stuck on. I was able to find all the collectibles in the first world but three gold tape with next to no issues, though Bounce helped me with the remaining three. I really have to commend the developers for their inclusion of both audio cues and visual guides built within the game to guide you to collectibles – it makes collecting every last thing a lot less tedious. The high speeds of your character allow you great traversal of the world, which also helps with collecting everything. The achievements require you to collect everything. In addition to the single player campaign, there are quite a few local multiplayer modes for up to four players – these include Boxing, Collect, Thief, Oddbox, and Delivery. The developers go into more detail on each mode here.
  

11. Spark the Electric Jester 2

• Price: $19.99
  
• Picture: Link
  
• Trailer: Link
  
• Genre: 3D Sonic-like Action Platformer
  
• Metacritic: 70% from 1 Critic Review, 70% from 1 User Rating
  
• Description: This is the sequel to the original 2D PC exclusive from 2017, with another 3D sequel currently in production. If you care at all for the story, it’s recommended you play or at least read about what happened in the first game. Spark 2 actually follows Fark, another jester. Spark 2 emulates many of the high speed moments found in 3D Sonic games, but brings a few ideas of its own. In particular, action is a bigger focus in this game, though platforming is still the priority. Enemies are easy enough to run past with a few exceptions for mini bosses at the end of some levels and the nine main bosses. In addition, enemies can also add to your score.
  
• Description Continued: In addition to Fark’s expanded move-set in combat, he also has the ability to double jump, dash, and wall jump. The jumps give you a lot of air time, lending more leniency to the platforming, and the dash is great for building momentum. There’s quite a bit to explore in each level too – jumping off ramps in the middle of loopdeloops will sometimes result in you finding the game’s main collectible, floppy disks. Fark can also acquire four additional costumes found within the levels that offer some variation in abilities. The game offers five difficulties at the start, with it recommending the second easiest option, Normal, as the default way to play your first time through. Bosses on this difficulty are fairly easy provided you’re competent with timing when to use your shield, though I did lose once or two against a few of them.
  

12. Remothered: Tormented Fathers

• Price: $29.99
  
• Trailer: (Slightly Graphic) Link
  
• Genre: Survival Horror
  
• Metacritic: 68% from 7 Critic Reviews, 80% from 36 Ratings
  
• Description: Remothered: Tormented Fathers feels very old school in its design philosophy - no weapons outside a few self defense items and distraction items. You go back and forth in the mansion and have to learn the layout and where things are to proceed. You have to manually select the key item from your inventory to use on triggers (but a key icon is still shown to guide you a little). The sounds in this game do a great job of evoking tension, and I appreciate that the stalkers don’t seem to teleport, so if you can get away from them, you’ve earned your freedom for awhile. This is the first game in a loosely connected trilogy. The second one - Remothered: Broken Porcelain just released last month, but I've heard it's pretty buggy at the moment and not recommended in its current state.
  
• Completion Time: ~6 Hours
  
• Extra Content: There are some collectibles you can go back for, but not a whole beyond that. You’ll probably get most of the achievements – if not all, except the collectibles one - on your first playthrough.
  

13. Four Sided Fantasy

• Price: $9.99
  
• Trailer: Trailer
  
• Genre: 2D Puzzle Platformer
  
• Metacritic: 68% from 4 Critic Reviews, N/A from 0 User Ratings
  
• Description: The premise of the game is a fusion of side scrollers and oldschool fixed screens that teleport you to the opposite side of the screen when you pass through one side - think Pac-Man, arcade Mario Bros., or Balloon Fight. You will find obstacles in your path that are impenetrable in a typical side scroller, but can be overcome by holding a button to turn the screen into a fixed screen that allows you to pass through one side and out through the other end. This is a totally unique take on a puzzle platformer I haven't seen before, and all five worlds bring something new to the table. For example, World 2 will flip you upside down when you pass through a screen, allowing new types of challenges as a result. There's more emphasis on the puzzle elements than the platforming.
  
• Completion Time: ~2 Hours
  
• Extra Content: There is a New Game+, but from what I could tell from the beginning it wasn't a whole lot different. Still, there's an achievement for completing New Game+ and some other fun achievements.
  

14. SINNER: Sacrifice for Redemption

• Price: $18.99
  
• Picture: Link
  
• Trailer: Link
  
• Genre: Soulslike Action Adventure
  
• Metacritic: 66% from 11 Critic reviews, 53% from 11 User Ratings
  
• Description: SINNER is a Soulslike boss rush - there are no levels and only small area before each boss to practice your moves. There are eight bosses, the first seven allowing you to fight in any order, each representing the seven deadly sins. You are equipped with everything the game has to offer from the beginning (except for the New Game+ weapon they give you), and instead of becoming more powerful, you gradually lose things with each boss you defeat, hence the “sacrifice” in the title. It’s like a reverse RPG. Each boss has a different sacrifice associated to it – one may deplete your throwing items’ usage, while another will deplete your health and stamina. Picking the best order to fight them in adds a little strategic thinking to the game, as you may be more dependent on your large health and stamina bar more than your throwing items’ usage, for example. The game is fairly difficult, so your victories over each boss feel very gratifying when they do come.
  
• Completion Time: ~5 Hours
  
• Extra Content: There is New Game+ that offers you an additional weapon. The achievements task you with a few things you have to pull off in battles, and getting all the achievements is pretty easy to obtain.
  

15. Tamashii

• Price: $11.99
  
• Picture: Link
  
• Trailer: Slightly Graphic (Link)
  
• Genre: Puzzle PlatformeHorror
  
• Metacritic: 65% from 2 Critic Reviews, 70% from 1 User Rating
  
• Description: Reportedly inspired by obscure Japanese games from the late 1980s and 1990s, Tamashii blends puzzle platforming together with an oppressive atmosphere. The introduction starts with the character being willed into existence by a godlike character that tasks him with destroying the macabre forces that have taken control of and corrupted his chambers. Your character is able to spawn three inanimate clones of himself which is the primary source for most of the platforming and some of the boss fights – you’ll use them to trigger switches and open up new paths. There’s about an even mix of puzzle solving and platforming, and there’s a whole eight bosses in this short adventure (though one is a secret) that are probably the most visually interesting moments in the game. The creatures and backgrounds are effective in selling the dark presentation of the game. The difficulty is about average – maybe slightly easier than most indie puzzle platformers. There is a sequel currently in the works.
  
• Completion Time: ~2.5 Hours
  
• Extra Content: There are a few obscure secrets to discover. You can also play through the chambers again with a score meter, and there are certain achievements associated with getting a good score. Getting all the achievements isn’t too difficult, but you’ll probably need a guide for some of the secrets.
  

16. Verlet Swing

• Price: $14.99
  
• Trailer: Link
  
• Genre: 3D Platformer
  
• Metacritic: 63% from 3 Critic Reviews, 75% from 2 User Ratings
  
• Description: Verlet Swing’s aesthetic is as intriguing as its gameplay: you are tasked with grappling and swinging yourself across these vaporwave styled levels without hitting anything. The levels are all very short, but you’re likely to play many levels dozens of times before even finishing it… just to get a 1/4 rank. The ranking system is actually very cool, in that it encourages you to find alternative paths or sometimes just building up more momentum to get to the end faster. Most levels do seem to have a set path, but at the same time, with the proper grappling of the mechanics, you can forge your own, which is a game in itself.
  
• Completion Time: ~7 Hours
  
• Extra Content: There’s an in game challenge menu that mostly recycles a lot of the base game content – though there’s a particularly funny one that switches the perspective to third person to play as a knockoff Spiderman. You can also go back and try to get the best possible time for each level. Getting all achievement is extremely difficult.
  

17. Warlock’s Tower

• Price: $4.99
  
• Trailer: Link
  
• Genre: 2D Level-based Puzzle Game
  
• Metacritic: 63% from 3 Critic Reviews, 75% from 2 User Rating
  
• Description: Warlock’s Tower’s puzzles are built around the movement of the player. There are numbers on the ground for the player to pick up – either 3 or 5 – and this gives the player a set number of steps before they die. Your goal in every level is to make it to an exit, and you’ll have to acquire the numbers in an order that gets you there. It is a bit easy in the beginning but eventually works up to be a challenge in the later levels as more elements are introduced: enemies, teleporters, conveyors, and even controlling two characters at once that share movement usage. The game has a very believable GameBoy aesthetic and sound effects to accompany it, and it works for this slower paced tile-based game.
  
• Completion Time: ~6 Hours
  
• Extra Content: This is published by Ratalaika Games, but surprisingly enough, you actually have to beat the game and find a few NPCs hidden in certain levels to get all achievements. There are optional levels in each world that don’t have any achievements attached to them, and this should add a few hours to the game.
  

18. The Bunker

• Price: $19.99
  
• Picture: Link
  
• Trailer: Link
  
• Genre: FMV Point & Click Adventure/Horror
  
• Metacritic: 59% from 8 Critic Reviews, 55% from 11 User Ratings
  
• Description: The Bunker is an FMV point & click adventure, meaning it features real actors and environments just like a live action movie. Many of the actors involved have been in high profile movies/TV shows as well, including The Hobbit, Game of Thrones, Star Wars, and Penny Dreadful. The game takes place in a fallout shelter and follows the last survivor as he tries to find a way outside following the death of his mother, after living 30+ years in the bunker. The gameplay has you solving puzzles and finding ways to proceed to the next area. The story is the focal point of the game though, and it frequently switches between the past and the present to tell its story. There’s a good juxtaposition between the lively past and the lonely present that makes you question how the protagonist ended up as the last survivor. There’s only one narrative choice to make in the game, and it comes at the very end. The game also works in handheld mode with touchscreen functionality if you'd prefer to play it that way.
  
• Completion Time: ~2. Hour Completion Time*
  
• Extra Content: You can replay the game and try to find all the collectibles. Most of them give more background on the story. You can trigger the ending you did not choose the first time around by simply reloading the last checkpoint, so there is no need to play through the whole game again to unlock it. Getting all the achievements is fairly easy.
  

19. Hayfever

• Price: $14.99
  
• Trailer: Link
  
• Genre: 2D Precision Platformer
  
• Metacritic: 49% from 2 Critic Reviews, 70% from 1 User Rating
  
• Description: Hayfever is a precision platformer that revolves around a mailman propelling himself using a number of different allergens that act as power-ups. A lot of the platforming is aerial and typically has you catching allergens mid-air to perform maneuvers in quick succession. It's not an easy game by any means, but it has oddly relaxing music to accompany the rather intense platforming. There are also letters to collect in each level to steepen the challenge and some secrets to discover too. It takes an hour or so to get used to the aerial platforming, and this is one of the few 2D platformers played better with the analog stick rather than the D-Pad. But letters that seemed unattainable to me at the beginning of the game became much simpler by the end, as I had mastered the controls and physics of the game. I’ve played a ton of 2D platformers, and this is one of my favorites.
  
• Completion Time: ~8 Hours
  
• Extra Content: It'll take another 8 hours or so to collect all the letters and probably about 6 hours or so to beat the Hard World, which features an additional 28 remixed levels. There are also secrets to uncover, but they don't net any in game progress and only work towards your achievement completion. Finding these secrets will probably vary more in time because they are hidden, but expect them to take a few hours to find. Just to clarify, letters are an expanded test of your platforming skills and are all in clear view of the screen, while secrets are a test of your observational skills and take a little more digging to finish. Attaining all achievements is a fair and rewarding challenge that took me about 25-30 hours to get.
  

20. Cybarian: The Time-Traveling Warrior

• Price: $4.99
  
• Picture: Link
  
• Trailer: Trailer
  
• Genre: 2D Action Platformer
  
• Metacritic: 48% from 2 Critic Reviews, 75% from 2 User Ratings
  
• Description: Cybarian has an interesting yet simple combat system that distinguishes itself from most action platformers. Instead of mashing the attack button, you have to press it once, wait two seconds for the animation to complete, press it again, wait two seconds for the animation to complete, and then press it again to complete a full combo. It sounds like something that's easy to get down quickly, but I found myself still occasionally going too quickly in the intensity of a boss fight. The game punishes you by not fulfilling the attack if you button mash. After each boss fight, you unlock a new move that will be required to fell some foes in the next stage. Conversely, you can play Hard Mode which unlocks all moves right from the get-go, but you'll have to beat all four stages without dying. "Hardcore Mode" would've been a more apt description of this difficulty setting, I feel.
  
• Completion Time: ~1.5 Hours
  
• Extra Content: Just like with Ultra Hat Dimension and Warlock’s Tower, this is a Ratalaika Games published game, so getting all the achievements can be achieved in under an hour. It would've been nice if they pushed you to beat Hard Mode, but you'll just have to settle for internal gratification instead.
  

Conclusion
My top 5 on the list in order would be the following: (1.) Hayfever, (2.) Valfaris, (3.) Cursed Castilla: (Maldita Castilla EX), (4.) Momodora: Reverie Under the Moonlight, and (5.) Pumpkin Jack.
Have you played any of these games? What are some other overlooked single player indie games?
See my post below for some upcoming indie games to look out for.

• 40 Upcoming Indie/AA Games (Not all on Xbox)